Mary Shelley’s Frankenstein, the Guillotine, and Modern Ontological Anxiety

Journal Title: Text Matters. A Journal of Literature, Theory and Culture - Year 2016, Vol 6, Issue 6

Abstract

This essay begins by examining the rhetorical significance of the guillotine, an important symbol during the Romantic Period. Lacefield argues that the guillotine symbolized a range of modern ontological juxtapositions and antinomies during the period. Moreover, she argues that the guillotine influenced Mary Shelley’s novel Frankenstein through Giovanni Aldini, a scientist who experimented on guillotined corpses during the French Revolution and inspired Shelley’s characterization of Victor Frankenstein. Given the importance of the guillotine as a powerful metaphor for anxieties emergent during this period, Lacefield employs it as a clue signaling a labyrinth of modern meanings embedded in Shelley’s novel, as well as the films they anticipated. In particular, Lacefield analyzes the significance of the guillotine slice itself—the uneasy, indeterminate line that simultaneously separates and joins categories such as life/death, mind/body, spirit/matter, and nature/technology. Lacefield’s interdisciplinary analysis analyzes motifs of decapitation/dismemberment in Frankenstein and then moves into a discussion of the novel’s exploration of the ontological categories specified above. For example, Frankenstein’s Creature, as a kind of cyborg, exists on the contested theoretical “slice” within a number of antinomies: nature/tech, human/inhuman (alive/dead), matter/spirit, etc. These are interesting juxtapositions that point to tensions within each set of categories, and Lacefield discusses the relevance of such dichotomies for questions of modernity posed by materialist theory and technological innovation. Additionally, she incorporates a discussion of films that fuse Shelley’s themes with appeals to twentieth-century and post-millennium audiences.

Authors and Affiliations

Kristen Lacefield

Keywords

Related Articles

Mexican Village: Josefina Niggli’s Border Crossing Narrative

The paper presents Josefina Niggli (1910–83), an American mid-twentieth-century writer who was born and grew up in Mexico, and her novel Mexican Village (1945). A connoisseur of Mexican culture and tradition, and at the...

“No Country for Old Men”? The Question of George Moore’s Place in the Early Twentieth-Century Literature of Ireland

The paper scrutinizes the literary output of George Moore with reference to the expectations of the new generation of Irish writers emerging at the beginning of the twentieth century. Although George Moore is considered...

Authority in Crisis? The Dynamic of the Relationship Between Prospero and Miranda in Appropriations of The Tempest

The relationship between Prospero and Miranda is fairly typical for Shakespeare’s way of portraying parental authority and filial obligation. A strong and authoritative father, an absent mother and a (potentially) rebell...

The Conflicting Traditions of Portraying the Jewish People in the Chester Mystery Cycle

The article seeks to analyze the portrayal of the Jews in two plays from the Chester mystery cycle: “Trial and Flagellation” and “The Passion.” The analysis acknowledges that the cycle is a mixture of, and a dialogue bet...

Death of the Soldier and Immortality of War in Frank Ormsby’s A Northern Spring

The paper analyzes the collection of the Northern Irish poet Frank Ormsby entitled A Northern Spring published in 1986. On the basis of selected poems, the author of this paper aims to examine the poet’s reflections abou...

Download PDF file
  • EP ID EP326060
  • DOI 10.1515/texmat-2016-0003
  • Views 64
  • Downloads 0

How To Cite

Kristen Lacefield (2016). Mary Shelley’s Frankenstein, the Guillotine, and Modern Ontological Anxiety. Text Matters. A Journal of Literature, Theory and Culture, 6(6), 35-52. https://europub.co.uk/articles/-A-326060