МЕDIA IN THE CONTEXT OF МЕDIA-АRCHEOLOGY AND VISUAL ANTHROPOLOGY
Journal Title: Вісник Черкаського університетету. Серія Філософія - Year 2018, Vol 1, Issue 2
Abstract
Introduction. In the era of Post-Present, media are a universal characteristic of preserving and transmission of information, creating a new reality, since radically changing both perception and communication links. In the information age, there are specific types of media, which becomes the basis for the formation of a new discourse, a peculiar form of medial turn or post-medial age. The purpose of the article is the analises of media in the context of media-archeology and visual anthropology. Media research is primarily related to the emergence and study of technical media and their impact on human identity. Methods. The methodology of the research is connected with using of analytical, comparative and axiological methods, as well as the systemic, historical and cultural approaches. Results. Media turn from the means of deepening the vision of reality into its transponder, which leads to the emergence of a separate media reality format, which causes creation of research strategies for comprehension of the expansion of media images and definition of their ontological status. The emergence of "media archeology" indicates a change in the methods of researching the media, rethinking the content of the very concept of "media". Originality. The problem of the visual goes beyond the category of "mode of perception" and requires the inclusion of the category "experience of perception", which makes it possible to apply the term "visual anthropology" not only to the on-screen forms of visual culture and communication, but also to design and architecture; not only to the visible, but also to the imaginary (psychotherapy and philosophical anthropology), or to contemplative (various psychopractices of spiritual life); in which universal media are the "prism" of vision and memory technology. Conclusion. The subject field of media archeology and visual anthropology of Post-Present is not only a change in the methods of visualization and mediation, but also through a rethinking of the concept of "media" and the study of media influence on visual practices – the identification of the origins and conditions for the formation of the representation culture in general.
Authors and Affiliations
Oksana PUSHONKOVA
Niclas Luman’s «communication model» of society as a methodology of the study of religion.
For explanation and analysis of communicative function of religion an author calls to the communicative model of society of the well-known German researcher Niclas Luman. An author tries to educe paradigm belonging of Ni...
PARADOXES OF TOLERANCE IN THE CONTEXT OF WORDLY WISDOM
Introduction. The article is dedicated to the tolerance in interpersonal and interethnic relations on the background of the humanization of the community, search of effective methods combining individual and universal va...
ESCHATOLOGY AS A PART OF CULTURAL SPACE IN THE CHRISTIAN PICTURE OF THE WORLD OF G. P. FEDOTOV
Introduction. In the eschatology picture of the world the questions of culture and life of man have special status and special decision. The reasons of sociocultural crisis of society consist in the incorrect understandi...
NARRATIVE VERSUS OBJECT-ORIENTED ONTOLOGY: THE CONCEPT OF THINGS AND THE PERFORMATIVE MODEL OF SPEECH
Introduction. The relevance of the topic is determined by the search for modern philosophy in the problem field of ontology and epistemology, which, with consistency, lead to cross-cutting themes of philosophical anthrop...
ARCHAISATION OF MODERN CULTURE: ROTATIONS, FORMATS, REPRESENTATIONS
Conditions of destruction of representative systems and global transformations actualize the interest in the ancient layers of culture, which found an expression in the archaism of the cultural space and are engraved in...