MIKHAIL BAKHTIN’S PHILOSOPHY OF THE NOVEL
Journal Title: Вісник Черкаського університетету. Серія Філософія - Year 2017, Vol 1, Issue 1
Abstract
Introduction. In the 20th century novel as a genre of literature is of particular importance. This art form reflects the profound aesthetics and spiritual needs of the era. Novelistic form combines philosophy and literature, serves a variety of self-consciousness of human knowledge. Purpose. The aim is the comparative analyses of two philosophical theories of the novel – of H. Lukach and M. Bakhtin, to explore the philosophical origins of aesthetics concepts of the two thinkers. Results. European aesthetics identified the verbal arts to the field of literature. This tradition has its roots in ancient thought features. M. Bakhtin and H. Lukach see the philosophical theory of the novel as a center of literary genre overall vision of the world. Hungarian Marxist philosopher sees novel opportunities for creating epic fullness of life. The harmony between the individual and the public can be achieved in the new artistic principles. The ideal of the classical Greek culture can be realized. Bakhtin considers the novel as a way of interpersonal communication. The novels of Dostoevsky is a prototype of dialogical thinking for M. Bakhtin. Conclusion. The new artistic reality of 20th century (1) releases a novelistic form, creates a poetry aesthetics of verbal creativity; (2) the practice of postmodernism led to the revision of classical poetic terms "high" and "low"; (3) as a result, in the second half of the 20th century historical epistemology uses the principle of narrative form as cognitive tools. Understanding the problems of life turns to art novel metaphysics. Novelistic form combines philosophy and literature, serves a variety of self-consciousness of human knowledge.
Authors and Affiliations
Mykola FEDORENKO
Keywords
Related Articles
- EP ID EP290789
- DOI -
- Views 82
- Downloads 0
SYMBOLISM OF SPEECH AND DIALOGICAL PARADIGM IN PHILOSOPHY
Introduction. The urgency of this article theme is determined by the searching of modern philosophy, cognitive sciences, linguistics, social and political philosophy, psycholinguistics in the problem area of the dialogic...
. «Philosophers of communication» and the idea of personality.
The article argues that in contemporary philosophical discourse the problem of personality is very urgent, by a certificate what is, in particular, the semantic diversity of terms which thematise the problem. It is noted...
THE BYZANTOLOGICAL ASPECT OF THE HISTORICAL AND AESTHETIC MEDIEVISTICS
Introduction. The futher study of history of the aesthetical traditions represents one of the most important tasks of the modern philosophical and aesthetical discourse. It goes without saying that the adequate understan...
DIALECTICS OF SECULAR AND POSTSECULAR IN MODERN PHILOSOPHICAL AND RELIGIOUS STUDIES DISCOURSE
Introduction. The transformation processes that take place in the modern world cause a transition from prevailing of the secular system of world valued-view priorities to claim of so-called postsecular space of human exi...
МЕDIA IN THE CONTEXT OF МЕDIA-АRCHEOLOGY AND VISUAL ANTHROPOLOGY
Introduction. In the era of Post-Present, media are a universal characteristic of preserving and transmission of information, creating a new reality, since radically changing both perception and communication links. In t...