Na przekór przykazaniu: Nie będziesz naśladował… Proza Brunona Schulza i Zdzisława Beksińskiego
Journal Title: Schulz/Forum - Year 2016, Vol 8, Issue 8
Abstract
The paper is an attempt to analyze the literary relationship between Beksiński and Schulz. From spring 1963 till February 1964 the future painter Zdzisław Beksiński was trying to write fiction. At that time, he was writing short stories, fragments, and sketches, observing discipline which was supposed to help him become a writer. Suffering from the “anxiety of influence,” he made withering comments on the margins of manuscripts. One particular story by Beksiński, "Mannequins" [Manekiny], is a kind of ekphrasis referring to Schulz’s fiction. A struggle with Schulz’s style was one of the most intriguing episodes in Beksiński’s artistic biography.
Authors and Affiliations
Magdalena Jarnotowska
Emeryty
Emeryty is an interdisciplinary continuation of an earlier project by Kaszuba-Dębska – Heels – and the reference to the Kantor’s Theatre Informel, where the actor is aligned with the object and subjected to chance. Kanto...
Schulz w katalogu Towarzystwa Wydawniczego „Rój”
Bruno Schulz placed both of his collections of short stories with “Rój” Publishers. Its 1938 catalogue, designed by Mieczysław Berman (some of the “Schulz” pages are reproduced in the present issue), sums up the publishi...
Elvis, Mickey, Bruno
Assuming that his readers know nothing about Bruno Schulz, François Coadou believes that he should start from the basics, although it seems that he would really like to concentrate on more specific problems. The second p...
Schulzowskie relacje transtekstualne i kontekstowe w literaturze polskiej XX i XXI wieku
The main goal of the paper is to analyze Schulzean transtextual and contextual relations in Polish literature of the 20th and 21st century. Using the theories of Gérard Genette, the author focuses mostly on hypertextual...
Erros Schulza
Usually, Schulz’s masochism has been considered as an obvious component of his life and work. Such a diagnosis, triggering a series of conventional associations, ignores whatever the writer might have actually experience...