O dwóch adaptacjach Mazepy Juliusza Słowackiego
Journal Title: Śląskie Studia Polonistyczne - Year 2012, Vol 2, Issue 1
Abstract
On the example of Blanche by Walerian Borowczyk (1971) and Mazepa by Gustaw Holoubek (1975), the author of the article presents two different proposals of reading a drama by Juliusz Słowacki. As Holoubek’s work seems to be an attempt to look at person relationships presented in Mazepa from the angle of the categories close to psychoanalysis, Borowczyk’s film is dominated by a quasi-religious discourse. What plays an important role in the article is considerations on a different status of drama characters (especially that of Amelia and Blanche) in his adaptations and movie means by means of which the directors created their visions. Substantially different ways of reading Słowacki’s work point to two different adaptation strategies: where Borowczyk chooses a creative interpretation, Holoubek seems to look for hidden senses of drama. A l’exemple des films Blanche de Walerian Borowczyk (1971) et Mazepa de Gustaw Holoubek (1975) l’auteur de l’article présente deux propositions différentes d’interprétation du drame de Juliusz Słowacki. Si l’oeuvre de Holoubek semble être une tentative de regard sur les relations personnelles dans Mazepa à travers des catégories proches à la psychanalyse, dans le film de Borowczyk domine le discours quasi-religieux. Dans l’article jouent un rôle important les réflexions sur le statut différent des personnages du drame (surtout celui d’Amelia/ Blanche) dans les adaptations ainsi que les moyens cinématographiques grâce auxquels les metteurs en scène créaient leurs vision. Les lectures différentes de l’oeuvre de Słowacki accusent deux stratégies d’adaptation : Borowczyk prend le chemin d’une réinterprétation créative, pendant que Holoubek semble chercher des sens cachés du drame.
Authors and Affiliations
Magdalena Kempna-Pieniążek
Keywords
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