“ON THE CLOUDY SHORE” COLLECTION BY A. S. GRIN AS INTERTEXTUAL INTEGRITY
Journal Title: Вісник Одеського національного університету. Філологія: літературознавство, мовознавство - Year 2018, Vol 23, Issue 1
Abstract
The purpose of this article lies in revelation of signs of the intertextual relations among the stories included into “On the Cloudy Shore” Collection. Reasoning from the fact that A.S. Grin followed the thematically contensive principle selecting his works for a particular collection, the author of this article establishes some links among the works included in “On the Cloudy Shore” Collection at the level of fragmentation of the themes, invoking a correlation of the real and the fantastic in them, and with regard to the central character in the same. The stories by A. Grin have been scrutinized as a conceptually organic whole, in a complete form, having its own boundaries. At that, a particular attention is paid to such signs of the text boundaries as a heading and epigraph. A careful consideration has been given to different variants of arrangement of the internal space of the texts in these stories on the basis of study of the relations between its beginning and its end. At the same time, a due regard is given to an opportunity of opening the boundaries of the text and and transforming of all his stories included in the collection as an intertext space. All possible links among the stories included into “On the Cloudy Shore” Collection by A.S. Grin and those of any other authors have been considered. These links are seen as some “given” key motifs, a reference to some phenomena, a possibility of correlating a situation described in a story by A.S Grin and in such other work the lines from which were chosen by the writer as an epigraph for his own story. Finally, the study of “On the Cloudy Shore” Collection offers a solution of the problem of the peculiar features of A.S. Grin’s world.
Authors and Affiliations
T. Yu. Moreva
Keywords
Related Articles
- EP ID EP514093
- DOI -
- Views 53
- Downloads 0
CZESŁAW MIŁOSZ AND LITERARY GENRES
The essay describes Czesław Miłosz’s (1911-2004) quest for new literary genres. The poet had «always aspired to a more spacious form» that would combine poetry, prose and elements of drama. Such a target form was expecte...
PERCEPTIVE AND FIGURATIVE REPRESENTATION OF LINGUAL AND CULTURAL DESCRIPTION OF FOOLISHNESS
The article aims at describing the lingual-cultural type Fool for Christ (Yurodivyi) in the perceptually-figurative aspect. The object of the analysis: the lingua-cultural type Fool for Christ (Yurodivyi). The Subject of...
SYMBOLIC MEANING OF THE WORDS IN THE CONTEXT OF THE KOLOMYIKA
It is analyzed the original texts that relate to the so-called “small genre” of Ukrainian folklore – kolomyikas – that have been collected in one of the villages in the western part of Ukraine by N. Klimishin. The specif...
MODIFICATION OF TRAVELOGUE IN MODERN UKRAINIAN AND GERMAN LITERATURES
The article is devoted to literary-historical and theoretical aspects of genre model of traveloh in modern Ukrainian and German literatures. The object of the research are such literary works as «Lexicon of intimate plac...
AGITATON AND RITUAL SPEECH GENRES OF POLITICAL COMMUNICATION
The article is devoted to the peculiarities of functioning and representation of speech genres of agitation and ritual character in the modern Ukrainian political discourse. The main attention is paid to the function of...