Otwarte pole interpretacji dokumentu w nowych mediach
Journal Title: DYSKURS Pismo Naukowo-Artystyczne ASP we Wrocławiu - Year 2013, Vol 15, Issue 15
Abstract
Adam Sobota Open Field of Interpretation of Documents in New Media Since the mid-20th century, there is a noticeable strengthening of the creative functions of everyday documents, which are contained in the photographs and films. Previously, culture was dominated by the opposition of documentary and artistic functions. One of the earlier attempts to compromise these areas was photographic pictorialism. Avant-garde tendencies led eventually to balancing the status of photography considered in the context of category of the document, as well as the context of creation. It was the harbinger of conceptual art, where each visualization was understood as art document. Collections of existing images are treated today as a global archive where we can find material for new narratives. They are constructed on the basis of traditional narratives, their transformations, technical systems and any logical sequences. They contribute to the creation of a new visual culture of communication.
Authors and Affiliations
Adam Sobota
Keywords
Related Articles
- EP ID EP75715
- DOI -
- Views 96
- Downloads 0
Sztuka interaktywna vs. interakcje społeczne. Analiza strategii sztuki interaktywnej w świetle perspektyw interakcyjnych Ervinga Goffmana
Izabela Franckiewicz-Olczak Interactive Art vs. Social Interactions. Analysis of Interactive Art Strategies in the Light of Erving Goffman’s Interactional Perspectives Izabela Franckiewicz-Olczak analyzis interactive art...
SZTUKA WYSOKA I NISKA
Many people believe that the division into high and low art is already a thing of the past, that postmodernity effectively eradicated it. I would like to contradict this view by putting the thesis that the division of ar...
Piechur linii. Twórczość Wacława Szpakowskiego na tle abstrakcji geometrycznej w sztuce XX wieku
Getulio Alviani considered drawings by Vaclav Szpakowski as ‘timeless’. Szpakowski did not follow any dominant artistic trends; he worked alone, therefore we should not ask about the sources of his art, but only about th...
Die Abstraktion in der modernen Kunst – Bild- „Motiv“ oder künstlerische Strategie?
At the beginning of the twentieth century, artists interested in abstract art had to make, in a sense, an ideological choice – abstraction was one of the important strategic projects of modernism. The goal of abstract ar...
Neoawangarda; wprowadzenie do sztuki współczesnej
Grzegorz Dziamski Neo-Avant-Guard Art as an Introduction to Postmodern Art Grzegorz Dziamski analyzes two concepts of neo-avant-guard theoreticians: by Frank Popper and Jerzy Ludwiński. They both shared a belief in avant...