POETYKA OBRAZU POLAKA-ARTYSTY W PROZIE HISTORYCZNEJ ROMANA IWANYCZUKA
Journal Title: Studia Ukrainica Posnaniensia - Year 2014, Vol 0, Issue
Abstract
The article is devoted to the poetics of the image of a Pole as an artist in the historical prose of Roman Ivanychuk. The subject of the research are the most popular works: Manuscript from Ruska street, Water from stone, Scars on the Rock and Because the War is War. In the article characteristic features of outstanding figures of Polish origin in Roman Ivanychuk prose are analyzed. Moreover, the importance of such notions as image, image-antithesis, symbol and stereotype has been examined.
Authors and Affiliations
Anna Choma-Suwała
Keywords
Related Articles
- EP ID EP165097
- DOI 10.14746/sup.2014.2.11
- Views 139
- Downloads 0
WARTOŚCI RODZINNE W ZWIERCIADLE UKRAIŃSKICH PAREMII
The aim of this article is the reconstruction of family values in Ukrainian proverbs and sayings. The main feature that distinguishes proverbs and sayings from other samples of oral folklore is their relevance. Therefore...
ХАРАКТЕРНИЦТВО ЯК УКРАЇНСЬКИЙ НАЦІОНАЛЬНИЙ ФЕНОМЕН (НА МАТЕРІАЛІ РОМАНУЮ. МУШКЕТИКА ПОГОНЯ)
The article is devoted to investigating the artistic embodiment of the Cossack character phenomenon in the novel Pogonya by Mushketyk. The typological comparison of the Cossack character image in the novel by Mushketyk i...
ІСТОРИКО-ЛІТЕРАТУРНІ СТУДІЇ МИКОЛИ ЗЕРОВА
The article outlines the methodology of the historical study of the 19th century Ukrainian literature by Mykola Zerov and highlights innovative elements of his review of the literature. The topicality of his research met...
ПРАГМАТИКА СТРАХУ В УКРАЇНСЬКІЙ ФРАЗЕМІЦІ
Fear is positioned in the article as a limitation of freedom –– a base fragment of the axiological worldview of the Ukrainian. Description of fear is implemented with the help of the method of parametric analysis of the...
ПОЛЯК ЯК „ІНШИЙ” В УКРАЇНСЬКІЙ ІСТОРИЧНІЙ ПРОЗІ 1880–1890 РОКІВ
The article emphasizes the image of a Pole as „other” representation in the historical prose of Nechuy-Levitskiy, Mordovets and Starytskiy. The author examines the modeling strategies of heteroimages in which the “otheri...