POUR UNE APPROCHE RIFFATERRIENNE DE LA CONVERSION AUTOUR DES POUVOIRS DE L’IMAGE DE LA FEMME DANS À CALIFOURCHON SUR LE DOS D’UN NUAGE DE BOTTEY ZADI ZAOUROU
Journal Title: Studii şi cercetări filologice - Seria Limbi Străine Aplicate - Year 2017, Vol 16, Issue
Abstract
Résumé: L’oeuvre poétique À califourchon sur le dos d’un nuage (2009) de l’Ivoirien Bottey Zadi Zaourou investit une matrice ou proposition sous-jacente : la célébration de la femme. L’hypogramme intratextuel et extérieur qu’elle constitue, rendus explicites par des conversions ou permutations des marques desdits hypogrammes, transforment les constituants de cette matrice en les modifiant par un seul et même facteur : "la femme", perçue comme étant un mot-noyau ou nucleus. Les mondes possibles qui en découlent génèrent plusieurs images dont les pouvoirs aussi riches que variés participent à la génération des textes poétiques décryptés. Mots-clés: femme, image, conversion, matrice, hypogramme. Abstract: Ivorian Bottey Zadi Zaourou’s poetic work À califourchon sur le dos d’un nuage (2009) chronicles an underlying matrix or proposition, namely the celebration of the woman. The intra and extra-textual hypogram it constitutes, made explicit through the conversion or permutation of the hypogram’s marks, transform the matrix’s constituents by modifying them through one factor only: "woman", seen as a core word or nucleus. The subsequent possible worlds generate many images whose rich and varied powers partake in the generation and production of the analyzed poetic texts.
Authors and Affiliations
Yagué Vahi
CONTACT (INTER) CULTUREL ET PROFANATION DU MYTHE IDENTITAIRE: UNE LECTURE DE « DIE FARBE MEINES GESICHTS » DE MIRIAM KWALANDA ET DE « LE VENTRE DE L’ATLANTIQUE » DE FATOU DIOME
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