QUBE 2: OBJECTIVE CLARITY
Journal Title: Acta Ludologica - Year 2019, Vol 2, Issue 1
Abstract
This review article will explore the application of Objective Clarity in the fi rst-person puzzle game Q.U.B.E 2. Objective Clarity will be defi ned as the eff ectiveness of communicating the game designers’ intended goal for the player.
Authors and Affiliations
Peter C Britton
Keywords
Related Articles
- EP ID EP529403
- DOI -
- Views 60
- Downloads 0
UniCon
The Unicon Games Festival, which is organized yearly by teachers and students of the Faculty of Mass Media Communication at the University of Ss. Cyril and Methodius, Trnava champions and showcases the cultural power of...
PLAYING WITH FEELINGS: VIDEO GAMES and AFFECT
Author Aubrey Anable is an assistant professor in the film studies department at Carleton University in Canada. She received a Ph.D. in Visual and Cultural Studies from the University of Rochester and her academic intere...
Towards a (Ludic) Resonant and Sensory Enviroment: Space, Music and Locative Gaming
This paper discusses the relationship between locative games and music, using as reference the notions of sound space, acoustic space, and soundscape. The locative game genre reflects the opposite side considering the vi...
The Game is Out There
Glitch represents an unexpected event, an occurrence during which the system swings away from planned operation or behavior. The term doesn’t reflect only the syntactic, logical or semantic error in the code but also an...
BECOMING A VIDEO GAME ARTIST: FROM PORTFOLIO DESIGN TO LANDING THE JOB
John Pearl is a design director and principal artist at Gunfire Games. Over the past 17 years, he has worked in different positions including for example, character art director or technical art director, which enabled h...