Ruggero Gerlin. A portrait sketch

Journal Title: Notes Muzyczny - Year 2015, Vol 2, Issue 4

Abstract

The article is an attempt to introduce the figure of Ruggero Gerlin, an outstanding harpsichordist from the last century (1899–1983), a legendary student of Wanda Landowska, a virtuoso and a well-regarded teacher of many generations of musicians. Enchanted in his young years by the extraordinary artist Wanda Landowska, a renowned pianist and harpsichordist, Gerlin decided to leave his mother country, Italy, to study with her in Paris. Gerlin’s coming to France was the beginning of the 20-year-long cooperation with Landowska. As a talented student, he developed his piano and harpsichord playing skills and widened his theoretical knowledge. He adored and valued his teacher, her way of playing and teaching methods, so he gladly and enthusiastically explored the world of music of old times. Diligent, ambitious and hard-working by nature, he soon became Landowska’s secretary and close assistant, as well as her music partner during concerts performed together. First in Paris, and then in Saint-Leu-la-Forêt, in the house of music meetings and the seat of École de Musique Ancienne, he actively participated in Landowska’s undertaking to promote harpsichord in the society of that time. The outbreak of WWII interrupted their joint endeavour and parted the two musicians forever. During the war, Gerlin returned to his home country, summoned by the Italian army. Soon afterwards, he became a professor at Conservatorio di Musica San Pietro a Majella in Naples and a lecturer at L’Accademia Musicale Chigiana in Siena. He conducted prestigious music courses for almost thirty years, which attracted numerous now renowned harpsichordists. These students remember Gerlin as a friendly and kind man and at the same time an amazing erudite person and an expert on literature and art. As a demanding teacher, with his natural pedantry, he worked on every detail of a music piece: he explained new technical exercises and showed how to shape a phrase in a beautiful and expressive way. Gerlin’s teaching activity went hand in hand with concert life. The artist performed on many European stages as a soloist, harpsichordist and accompanist. He enchanted the audience with refined sound, his way of playing, which was full of elegance, emotions, fantasy and vividness. He performed the music pieces of all national schools but he most eagerly chose compositions by Johann Sebastian Bach and Italian masters. His virtuoso interpretations are also reflected in his wide discography – he made over a hundred recordings throughout his life.<br/><br/>

Authors and Affiliations

Barbara Brzezińska

Keywords

Related Articles

Scriabin – piano music in the context of the composer’s creative ideology. Part 1

The article is the first part of a cycle of texts devoted to the profile and piano works of Alexander Scriabin. The composer had an extraordinary piano talent and the ability of coloured hearing. He worked out an innovat...

Życie i twórczość Sergiusza Bortkiewicza (1877–1952), cz. IV – Wpływ taneczności na ekspresję utworów Bortkiewicza

W poprzednich artykułach dotyczących twórczości Sergiusza Bortkiewicza wykazano, jak wielki wpływ na jego spuściznę wywarła inspiracja tańcem. Jej przejawów doszukać się można w większości jego kompozycji. W utworach tyc...

Piano concerto no. 1 by Andrzej Nikodemowicz – a hidden desire for freedom

Piano concerto no. 1 (1994) by Andrzej Nikodemowicz (1925-2017) is among seven piano concertos written by the composer. Its first version is the Violin concerto created in 1973. Because of the difficult violin part, the...

Laboratorium VI

Klawesyn Claude'a Labrèche'a<br/><br/>

The unique sound matter in chamber music by Zygmunt Krauze

Chamber pieces by Zygmunt Krauze are an important part of music achievements of our times. In his works we come across a new way of treating texture means influencing the performance aspect of these pieces, and they are...

Download PDF file
  • EP ID EP517805
  • DOI -
  • Views 61
  • Downloads 0

How To Cite

Barbara Brzezińska (2015). Ruggero Gerlin. A portrait sketch. Notes Muzyczny, 2(4), 137-171. https://europub.co.uk/articles/-A-517805