Rzymski hortus jako jeden z symboli miasta nad Tybrem. Krajobraz sepulkralny w przestrzeniach rzymu od IV W. p.n.e. do I W. n.e.
Journal Title: Studia Europaea Gnesnensia - Year 2016, Vol 13, Issue
Abstract
The land and its cultivation had an important place in the minds and hearts of people living on the Tiber. As Roman culture developed, there evolved a tradition of building tombs which were to serve the living rather than the dead. This led to a widespread practice of designing “sepulchral landscapes” which became a fixed feature of Rome’s architectural space. Thus the necropolises gained a new function, becoming vibrant parks which offered an ideal locus amoenus.
Authors and Affiliations
Justyna Dworniak
Życie i dzieło wielkiego Macedończyka
Recenzja książki: Krzysztof Nawotka, Alexander the Great, Cambridge Scholars Publishing 2010, 440 s.
Żydzi i obrazy w późnym antyku
Żydzi i obrazy w późnym antyku; rec. książki: Lee I. Levine, Visual Judaism in Late Anti-quity: Historical Contexts of Jewish Art, Yale University Press, New Haven-London 2012, 582 s.
Między Wschodem a Zachodem: obraz osiemnastowiecznej Rosji w oczach encyklopedystów
REC. KSIĄŻKI Marc Belissa, La Russie mise en „Lumieres”. Représentations et débats autour de la Russie dans la France du XVIIIe siecle, Kimé, Paris 2010, 248 s.
Lukiana z Samosat traktat „Jak należy pisać historię” i jego znajomość w pismach dotyczących refleksji historiograficznej w dawnej Polsce
The article contains a short presentation of the treatise entitled How to write history. The hand which wrote it was Lucian of Samosata’s, a Greek rhetor and sophist (2nd cent.). It is the sole treatise concerning method...
Monarchia absolutna Ludwika XIV. Nowe ścieżki badawcze
The classical perception of French absolutism, which so far has been identified with the system of powerful rule of the monarch with only theoretical limitations, should be subject to revision. A reinterpretation of the...