Способы авторской самопрезентации в русской рок-поэзии
Journal Title: Acta Neophilologica - Year 2015, Vol 2, Issue 0
Abstract
This article considers various ways of the author’s self-presentation in Russian rock poetry (Y. Dyagileva, A. Makarevich, V. Tsoi, Y. Shevchuk). The predominance of the “I–I” subject pattern is revealed. It is used to express the maximum egocentrism, whereas the directive syntactical units impose the author’s opinion on the recipient. The author’s “I” not only conveys the author’s stand but forms the notion of reality. The “I–I” pattern can be altered into the “I–WE” pattern (V. Tsoi). The indirect self-presentation (the “I–YOU”, “I–HE”/ “WE–THEY” patterns) appears as well.
Authors and Affiliations
Ольга Гамали
DICKENS AND RAGGED SCHOOLS: THE REFORMER VERSUS THE ARTIST
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