Tácticas representacionales desde la periferia: Reflexiones a partir de los devenires del muralismo colombiano
Journal Title: Revista Académica Estesis - Year 2020, Vol 1, Issue 8
Abstract
This text, written by the artist herself in third person as to preserve academic format, has given the audience the opportunity to gain insight into the artist ́s point of view that otherwise would not be known. This work takes a conceptual look at an artistic experience made by using a thousand-year-old technique. These challenges are faced by taking a deeper look at muralism, an art form that artists have had to fight to turn art into a device that could effectively integrate and affect the masses. Rendering this result proposes the idea that art is a conscious process and that the artist is responsible for his own environment and social awareness. Such struggle has allowed the aforementioned technique to survive the times as well as current discussions attempting to call into question its validity as a modern technique. For example, thinkers such as Marta Traba have questioned its value but it has continued to prosper thanks to Nelly Richard and Marchan Fiz, among others, who have been successful in highlighting where the aesthetics of the reception goes to the aesthetics of participation.
Authors and Affiliations
Paula San Cristóbal, Carmen Álvarez
Keywords
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- EP ID EP701866
- DOI https://doi.org/10.37127/25393995.53
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