Technostalgia, kontrola i ironia. Nonsense technologies w sztuce Przemysława Jasielskiego
Journal Title: Kultura Popularna - Year 2016, Vol 2, Issue 48
Abstract
The fusion of art and science doesn’t need to beconfusing for viewers. It shouldn’t be too easy either.Installations created by PrzemysławJasielskipropose an experimental intervention into realityusing nonsense technologies. These are notnew technologies focused on the productivityand efficiency ‑they are ironic devices making“one step beyond”. Strategies used by the artistdiagnose critical points of technoculture. Thisstrange kind of technology becomes a methodto provoke questions, inquiries without a needfor the unequivocal answers. Devices and objectsshown by artists make no sense from a classicalperspective of technology, they don’t work or theresult of their work is unpredictable. This apparentuselessness, randomness or unpredictability,however, means that technology, treated as anexperimental method becomes an importantcognitive and relational factor in the art world.<br/><br/>
Authors and Affiliations
Jacek Zydorowicz, Katarzyna Przerwa‑Zydorowicz
Out of the Ordinary: The Event and its Repetition in Paul Auster’s Prose
Devoid of metaphors, conventional in its syntax, and resolute in its ordinariness, Paul Auster’s prose is centered around nothing less than the extraordinary. However, the extraordinary in his narratives—which often take...
Metodologiczne wyzwania badania kompetencji medialnych i cyfrowych generacji 50+
Celebryta ponowoczesny – w pogoni za sławą
Nowadays, almost anyone can become a celebrity although not everyone is. Contemporary world and late modernity favour and support any shape and form of celebrity. Existence and actions of celebrities are concurrent in t...
The Homely Sublime in Space Science Documentary Films: Domesticating the Feeling of Homelessness in Carl Sagan’s Cosmos and its Sequel
The paper discusses the ways of domesticating the feeling of sublime homelessness when contemplating the realm of outer space in Carl Sagan’s revolutionary television series Cosmos: A Personal Voyage (1980) and its prese...
Can One Eat Art? The Political, Socio-Economic and Artistic Role of Food in Peter Greenaway’s Film The Cook, The Thief, His Wife, And Her Lover
The aim of the article is to present the relationship between food and politics based on the example of Peter’s Greenaway film The Cook, the Thief, his Wife, and her Lover. This particular Greenaway’s film is compelling...