THE AESTHETIC SPHERE OF THE JEWISH SPECTATOR AND THE GUILT`S NEGATIVE DIALECTICS: FROM ADORNO` S IMPOSSIBILITY TO W RITE AFTER AUSCHWITZ TO CHAGALL`S EUROPEAN “DEGENERATED ART” Impossibility vs. Unauthenticity: The Abdicated Subject
Journal Title: Δόξα / Докса. Збірник наукових праць з філософії та філології - Year 2015, Vol 1, Issue
Abstract
In the first case, the experience of Auschwitz is devoted to a dialectic discourse that confirms the philosopheme of pure identity as death, in Adorno`s hermeneutical key, opening the dimension of a moral normative mechanism of “looking back” at its cultural heritage: “What is not wrong however is the less cultural question of whether it is even permissible for someone who accidentally escaped and by all right ought to have been murdered, to go on living after Auschwitz. Their continued existence already necessitates the coldness, of the basic principle of the capitalist subjectivity, without which Auschwitz would not have been possible: the drastic guilt of the spared” (Adorno 2001:213, transl. D.R).
Authors and Affiliations
Oana ȘERBAN
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THE AESTHETIC SPHERE OF THE JEWISH SPECTATOR AND THE GUILT`S NEGATIVE DIALECTICS: FROM ADORNO` S IMPOSSIBILITY TO W RITE AFTER AUSCHWITZ TO CHAGALL`S EUROPEAN “DEGENERATED ART” Impossibility vs. Unauthenticity: The Abdicated Subject
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