THE ARTISTIC REFLECTION OF THE CONCERT ACTIVITY OF THE KYIV LYATOSHYNSKIY CHAMBER CHOIR AS A PART OF THE FORMATION OF THE UKRAINIAN CHORAL MUSIC IN THE SECOND HALF OF THE XX CENTURY
Journal Title: Молодь і ринок - Year 2018, Vol 161, Issue 6
Abstract
An academic choral performance after the Great Patriotic War was regenerated extremely slowly, but we consider the second half of the twentieth century as the time of national-cultural revival of Ukraine. The development of the choral genre in Ukraine was facilitated during the Soviet era by the appearence of numerous amateur choirs in the schools, clubs, houses of culture, ensembles of songs and dances, amateur chapels of various casts. The musical life of the capital was always famous for the active work of numerous choir groups which created the artistic “face” of Kyiv, contributed to the spiritual elevation of its inhabitants. Among a number of choral ensembles in Kyiv, a chamber choir under the direction of V. Ikonnik is distinguished by its activities and creative achievements. This team was the successor of the choral school traditions, renewed the acapella techniques and assisted the revival of academic choral performance of the second half of the twentieth century. Kyiv Chamber Choir named after. B. Lyatoshynskiy during his lifetime existence has achieved significant success and enriched the artistic life of the capital. The team toured to the cities of Ukraine, as well as Poland, Yugoslavia, Czechoslovakia, to the republics of the Soviet Union: Belarus, Moldova, Kazakhstan and to Moscow. The choir often performed the works of those composers whose homeland its concerts passed on, that was pleasantly surprising to the public. The peculiarity of all concert programs was the performing of Ukrainian song arrangements, in particular M. Kolesi, K. Stetsenko, M. Leontovych and V. Ikonnik himself. The choirmaster Viktor Ikonnik was a brilliant interpreter of the Ukrainian folk song and a propagandist of the works of Ukrainian composers. The main place in the choir creative activity was the concerts devoted to the memory of outstanding figures: T. Shevchenko, M. Hogol; K. Stetsenko, G. Verovka, M. D. Leontovych, B. M. Lyatoshynskiy, D. Bortnyanskiy, S. Koday, G. Shyutz, J. Bach, G. Handel, D. Scarlatti. The first reading of the partsong concert of M. Diletskiy “Resurrection canon” (the decryption by N. Herasymova-Persidskaya) belongs to the choir. The recordings of many works are made, among them there is the whole inheritance of K. Stetsenko, B. Lyatoshynskiy, choral concerts by M. Diletskiy, D. Bortnyanskiy, A. Vedel. A total amount is 25 discs. In perspective, we plan to explore the concert activity of the Ensemble of Classical Music named by B. Lyatoshynskiy, which was reorganized into the Kyiv Lyatoshynskiy Chamber Choir.
Authors and Affiliations
Yuliya Stasyuk
Keywords
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- EP ID EP580060
- DOI 10.24919/23084634.2018.137046
- Views 61
- Downloads 0
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