The conveyance of Andalusian music culture to Medieval Europe through Qiyan Girls<p>Endülüs müzik kültürünün Qiyan Kızları aracılığı ile Ortaçağ Avrupasına aktarımı
Journal Title: Journal of Human Sciences - Year 2018, Vol 15, Issue 4
Abstract
In this study, cultural influences of Andalusian music on medieval Europe was attempted to be assessed. In Andalusia, music was institutionalized in the field of education within the musical identity of the musician Ziryab from Baghdad. It was seen that the techniques and methods used in this school now take part in "conservatory" education. It was determined that some of the instruments used today are of Andalusian origin and were transferred to medieval Europe through cultural interactions. It was seen that the forms of singing move to Europe with examples of minstrels and religious music in both religious and secular areas of music. It was determined that this situation emerged as a result of the interaction of the common music culture of the cultures living in Andalusia with medieval Europe. The data were obtained by literature review.Extended English summary is in the end of Full Text PDF (TURKISH) file. ÖzetBu çalışmada, Endülüs Müziği’nin Ortaçağ Avrupası’na kültürel etkileri değerlendirilmeye çalışılmıştır. Endülüs’de müziğin, Bağdat’lı müzisyen Ziryab’ın müzikal kimliğinde, eğitim alanında kurumsallaştığı tespit edilmiştir. Bu okulda kullanılan teknik ve yöntemlerin, günümüzde konservatuvar eğitiminde yer aldığı görülmüştür. Günümüzde kullanılan bazı çalgıların Endülüs kaynaklı olduğu ve ortaçağ Avrupa’sına kültürel etkileşimler yoluyla geçtiği belirlenmiştir. Şarkı söyleme biçimlerinin hem dini hem dindışı müzik alanlarında saz şairleri ve dinsel müzik örnekleriyle Avrupa’ya taşındığı görülmüştür. Bu durumun Endülüs’de yaşayan kültürlerin ortak müzik kültürünün Ortaçağ Avrupası’yla etkileşimi sonucu ortaya çıktığı belirlenmiştir. Çalışmada veriler literatür tarama yöntemiyle elde edilmiştir.
Authors and Affiliations
Gülşen Erdal
Keywords
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