The development of Kyiv academic accordion school 50s - 80s years of the twentieth century
Journal Title: Вісник Національної академії керівних кадрів культури і мистецтв - Year 2018, Vol 1, Issue 3
Abstract
Purpose of the article is based on a generalization of the scientific and pedagogical experience of the accordi- onist Art of the Kyiv Academic School in the 50s - 80s years of the XX century, the tendencies of development and its functional peculiarities. Methodology of research is to apply the objective-historic, historic-cultural, creative-activity, comparative, typological, chronological, systematic, and structural-functional methods. Scientific novelty of the work involves the specification of pedagogical and interpretive characteristics of the accordionists' activity of the Kyiv oblast in the 50s - 80s years of the twentieth century, the highlighting of the specific aspects of the performance art of the repre- sentatives of the academic accordions school. Conclusions. Renaissance of the accordions performances of Ukraine in the 50s - 80s years of the 20th century, in particular, the Kyiv Accordion School, became a vivid testimony to creative interpenetration, evolution in the world of music culture, through the modernization of the instrument, the academicization of theoretical and practical preparation of accordionists, the development and improvement of technical implementation techniques, treatment and mastering of the methods of general musical pedagogy and the use of the achievements of the theory of the game on related instruments, enrichment of the repertoire due to the original composer creativity, and practice of translations and transcriptions.
Authors and Affiliations
Vitalii Okhmanyuk
Keywords
Related Articles
- EP ID EP665329
- DOI -
- Views 95
- Downloads 0
Dmytro Shostakovych ballet “The Bright Stream” in Fedir Lopukhov and Oleksii Ratmanskyi versions: choreographic transformation
Purpose of the article is the analysis of compositional and lexical features of D. Shostakovich “The Bright Stream” ballet in F. Lopukhov and O. Ratmanskyi ballet-masters dance versions. Methodology. The work methodology...
THE MUSIC FOR WIND INSTRUMENTS SOLO AT THE EPOCH OF CLASSICISM (for example Sonata a-moll for flute solo by K.F.E. Bach)
The purpose of this scientific article is revealing of the most characteristic lineaments for scenically single performing on the wind academic instruments at the music of classicism’s epoch (the period from the middle o...
THE MEANING OF THE CONCERT PHENOMENON PRINCIPLE IN A CONTEMPORARY CHORAL CONCERT (M. SKORYK "SACRED CONCERT")
Purpose of Article. The concert phenomenon is a style attribute of a choral concert genre of the late XVII-XVIII centuries. In choral concerts of the modern Ukrainian composers this phenomenon is being reinterpreted a lo...
REVISITING THE POLYGENESIS OF MUSICAL ART
The purpose of the work. The article under consideration deals with the analysis of verbal and musical-sound (extra-speech) origins of music in the aspect of their dependent-independent relations, coordinated with the co...
AGE TECHNOLOGIES IN LEISURE ACTIVITIES
Purpose of the Article. The research deals with the search for new approaches to the organization of leisure for the representatives of various age categories (children, teenagers, young people, adults and old people) by...