The dynamics of cohesion and separation in the syntax of postmodern artistic text (based on the novel by Michel Houellebecq «The Elementary Particles»).

Abstract

In the presented scientific research the problem of dynamics of syntactic connections in the text fabric of the French postmodern work is considered. On the material of Michel Houellebecq novel «The Elementary Particles», the features of cohesion and separation in the syntax of contemporary French language are analyzed. As the research testified, textual fragments of the postmodern work harmoniously combine different means of communication. On the one hand, we note the syntactic integrity, the completeness of the structure, the hierarchical subordination of parts within the whole, causative-consecutive coherence, accuracy, logic, rationalism (cohesion), on the other hand fragmentation, collage, subjectivity of expression, irrationalism, and dismemberment of syntactic structures (separation). Cohesion claims the classical (normative, hierarchical) type of syntax; separation reflects the principles of the actual type of syntax. It is established that the syntactic structure of postmodern text enables the combination of opposite means of communication (cohesion and separation) based on their equilibrium, equivalent content and meaning. Thus, the syntactic fabric of French postmodern prose is a combination of the classical (normative) and actual types of syntax. The analysis of the material motivates the isolation of the neutral level of the dynamics of cohesion and separation in the syntactic fabric of the postmodern text and affirmed the dialectical path of their development. It is substantiated that the balanced, restrained manner of Michel Houellebecq writing in «The Elementary Particles » was an ideal form for creating a picture of the modern mercantile world, and the combination of cohesion and separation as syntactic means of communication enabled the implementation of creative ideas of the author on the syntactic and stylistic level. Consequently, in the culture of postmodernism, different pictures of the world are displayed, different types of thinking develop, new reality is created, a new language of culture, and a new text.

Authors and Affiliations

О. В. Станіслав

Keywords

Related Articles

NOMINATION AND SYMBOLISM OF MATERIAL CULTURE OBJECTS IN THE PHRASEOLOGICAL AND PROVERBIC CONTEXT

The author gives the semantic analysis of the real culture code dominated by the principles of anthropocentrism, community- centeredness and onomasiological basis selectivity. The material used for the study are the dict...

Peculiarities of term-combinations and complex terms translation (based on texts of bank reports)

The article deals with the main methods of English banking terms translation, namely term-combinations and complex terms. Different modern ways of their translation are studied: calquing, descriptive, transformation meth...

CULTURAL-VALUE INTERPRETATION OF THE POLITICAL CONCEPT OF TOLERANCE IN THE UKRAINIAN LANGUAGE PICTURE OF THE WORLD

The article analyzes the cultural-value interpretation of the basic concepts of political discourse TOLERANCE (the ability to perceive without aggression opinions that differ from their own, as well as-especially the beh...

Axiological parameters of the concept BREAK in modern English.

The article is devoted to the analysis of the axiological parameters of the concept BREAK in modern English. The semantic, figurative and estimating components of the concept semantics under study are outlined. Specific...

Verbal and non-verbal indicators of the persuasive argumentation strategy in German commercial advertising.

The article is devoted to the study of verbal and non-verbal indicators of the persuasive argumentation strategy in German commercial advertising. Achievement of the perlocutive effect in the commercial advertising is ca...

Download PDF file
  • EP ID EP499243
  • DOI -
  • Views 61
  • Downloads 0

How To Cite

О. В. Станіслав (2018). The dynamics of cohesion and separation in the syntax of postmodern artistic text (based on the novel by Michel Houellebecq «The Elementary Particles»).. Львівський філологічний часопис, 3(), 244-248. https://europub.co.uk/articles/-A-499243