THE FORMATION OF VOCAL AND PERFORMING ARTISTRY IN MASTER STUDENTS AT UNIVERSITIES FOR MUSIC EDUCATION AND PEDAGOGY
Journal Title: Наука і освіта - Year 2016, Vol 0, Issue 6
Abstract
The paper is aimed at determination of pedagogical conditions for improving the effectiveness of performing arti- stry in singers – master students of universities for music education and pedagogy. The concept of “artistry” and pecu- liarities of its manifestation in various spheres of life have been considered. Performing artistry is considered as musi- cian’s readiness to perform according to the logics of a musical character, to convey emotional states, degree of their tension and dynamic pattern by means of musical and performing expressiveness. The features of performing artistry and specific character of its manifestation in various spheres of music activities (instrumental, music and dramatic, chamber and vocal) have been characterised. Two components have been distinguished in the structure of artistry of a vocalist who performs chamber works: musically intonational, stage and visual. Their unity can be achieved in the process of interpretation and embodiment of music and literary character, getting into the character, thus, a singer per- forms according to the logics of a musical character. The following psycho-pedagogical conditions for effective im- provement of performing artistry in master students in the course of their preparation for professional activity have been substantiated: - providing the unity of music and intellectual training, development of artistic imagination and vocal technique; - adjustment of the elements of dramatic and choreographic technique under conditions of chamber and vocal per- forming; the use of the above mentioned elements facilitates singer’s penetration into imaginative content of works, their integral reproduction based on the combination of artistic intonational and cantatory as well as visually expressive means; - development of students’ attitude towards vocal performing as a means of artistic and creative communication by means of singing onstage; - purposeful formation of future singers’ skills of artistically determined emotional and volitional self-regulation.
Authors and Affiliations
Wong Chian
Keywords
Related Articles
- EP ID EP573339
- DOI 10.24195/2414-4665-2016-6-13
- Views 163
- Downloads 0
UNDERSTANDING OF FOREIGN SCIENTIFIC TEXT AS FACTOR OF PROFES-SIONAL DEVELOPMENT OF FUTURE MECHANICAL ENGINEERS
The article is dedicated to the study of the necessityfor understanding the foreign scientific text in order to develop the intellectual culture of future technical specialists. It is found that the foreign scientific te...
CHARACTERISTICS OF THE EXPERIMENTAL WORK ON THE FORMATION OF UNIVERSITY STUDENTS’ DEONTOLOGICAL CULTURE IN THE PROCESS OF SOCIO-EDUCATIONAL WORK
The paper presents the essence and detailed description of stages of the experimental work aimed at the formation of university students’ deontological culture in the process of socio-educational work as well as the proc...
IMPLEMENTING CLUSTER FORMS INTO NATIONAL EDUCATION DEVELOPMENT STRATEGY
The paper aims to reveal the peculiarities of educational clusters formation, to determine the theoretical founda- tions of this process and rationale for the use of the cluster approach in the management of strategic de...
CONCEPTUAL CORRELATION OF “WORKING WITH A TEXT” AND “WORKING ON A TEXT” LINGUISTIC DIDACTIC TERMS
The article investigates the normative functioning of term phrases ‘working with a text’ and ‘working on a text’ in the linguistic didactic discourse. The carried out component analysis has made it possible to determine...
THEORETICAL GROUNDS OF STUDYING SOCIAL NETWORKS IN THE CONTEXT OF SOCIO-PSYCHOLOGICAL SUPPORT OF EDUCATIONAL INNOVATIONS
The field of education nowadays is being in the center of transformational processes. The proper maintenance of educational innovations can be ensured by taking into consideration public opinion, as well as investigation...