THE GOSPEL OF JOHN IN MARINA TSVETAEVA’S POEM “V PUSTYNNOY KHRAMINE...”
Journal Title: Проблемы исторической поэтики - Year 2017, Vol 15, Issue 2
Abstract
The article is devoted to the analysis of M. I. Tsvetaeva’s poem “V pustynnoy khramine...” (1922). The rejection of Mark Slonim’s opinion about the lack of religiousness in M. Tsvetaeva’s poems became a starting point for the analysis. An initial perception of the text as that one belonging to “love lyrics”, has been disproved due to analytical reading. The ambiguity of interpretation is possible by virtue of the fact that M. I. Tsvetaeva creates multilevel system of the hints, which darkens the message of the poem. Only some artistic details such as “incense”, “Logos”, “earthly hands” are mentioned, thus expanding the boundaries of the semantic field of the poem. For instance, “earthly hands” are seen as a symbol of Jesus Christ praying in the garden of Gethsemane, and refer to the Gospel of John. It is this way of interpretation that makes possible the opposition “the Divine” and “the Earthly”. Thus, the poem “V pustynnoy khramine...” embodies M. Tsvetaeva’s world perception and expresses her ideas of essence of poetic work.
Authors and Affiliations
Elena Zavershinskaya
Keywords
Related Articles
- EP ID EP299854
- DOI 10.15393/j9.art.2017.4361
- Views 121
- Downloads 0
THE PATH OF LIFE BY THE WILL OF GOD IN THE NOVEL “THE LIFE OF ARSENIEV” BY I. A. BUNIN
The article is devoted to the analysis of M. I. Tsvetaeva’s poem “V pustynnoy khramine...” (1922). The rejection of Mark Slonim’s opinion about the lack of religiousness in M. Tsvetaeva’s poems became a starting point fo...
KIRGHIZ STEPPE IN THE TRAVEL NOTES AND ESSAYS OF M. M. PRISHVIN: IMAGOLOGY AND POETICS
The article investigates the cross-cutting images and themes related to topography of the Kirghiz steppe (now North-Eastern Kazakhstan) in the works of M. M. Prishvin. Three early Prishvin’s texts — a Siberian diary “A J...
PROVOCATION OF THE FANTASY: MYSTIFICATED QUOTATION OF D. S. MEREZHKOVSKY AS A LITERARY FACT IN N. V. GOGOL STUDIES
At the beginning of the 20th century, half a century after the death of Gogol, in the periodicals of that time along with the memoirs of his last days of life appeared a story about how the writer’s spiritual father, arc...
RELIGIOUS MOTIFS IN “SEGODNYASHNIY LUBOK” AND “OKNA ROSTA AND GLAVPOLITPROSVET” OF V. V. MAYAKOVSKY
The propaganda posters in “Segodnyashniy lubok” and “Windows of satire of the Russian Telegraph Agency (Okna ROSTA) and Glavpolitprosvet” series are similar both in visual and verbal sense. Many artistic principles, firs...
ON THE POETICS OF THE TITLE OF I. S. SHMELEV’S STORY “THE HIDDEN FACE”
The article is dedicated to the poetics of Shmelev’s story’s title “The Hidden Face”. The ideological and thematic aspects of the title, that develop story’s fiction structure of the writing are exposed to analysis. The...