THE INVENTION OF PEASANT LITERATURE (on the materials of the All-Russian Society of Peasant Writers (VOKP), IWL department of manuscripts)
Journal Title: Studia Litterarum - Year 2016, Vol 1, Issue 3
Abstract
The essay focuses on the Society of Peasants Writers (hereafter referred as VOKP) that changed a number of names in the course of its existence — All-Russian Peasants’ Union of Writers (1921–1925), All-Russian Society of Peasant Writers (1925–1930), All-Russian Association of Proletarian and Kolkhoz writers (1931), and Russian society of Proletarian and Kolkhoz Writers (1931–1932). Its main objective was the implementation of the state program for the “village reconstruction” (Vladimir Lenin) in the spirit of “raskrestyanivanie” [de-peasant-ring]. IWL archives (fund 156) contain rich materials on the history of the two periods of VOKP’s activity, its agendas as well as evidence of its creative and ideological work with aspiring village writers. In the frst period, 1921–1927, the Society rendered real help to peasants, primarily in literary studies, within the framework of the so called struggle against the peasantry ignorance. After 1927, albeit VOKP was extended, the activity of the Society concentrated on the crusade against the kulak and petty-bourgeois ideology. While the All-Russian Peasants’ Union of Writers was being transformed into the Russian Society of Proletarian and Kolkhoz Writers, the Society tried to decide who was a “true” or “genuine” peasant writer and who therefore had the right to instruct beginners. The work of «kulak poets» such as S.A.Yesenin and N.A.Klyuyev was no longer considered appropriate for the poetical education of younger people. Drawing on the reviews of the poetical works from the VOKP fund, the essay seeks to understand how the Society evaluated ideology and aesthetics of these works, what kind of advice and recommendations it gave to the authors and eventually what were the criteria for publication and for the VOKP membership. The article argues that conformity to the so called Proletarian and Kolkhoz ideology was becoming into the defning principle of evaluation and acceptance. Letters and manuscripts sent by peasant writers’ to VOKP, however, tell a different story. They reflect thoughts and ideas expressed by the dwellers of Soviet villages, communes, and collective farms of the 1920’s — early 1930’s and show that their authors did not share many aspects of the state policy.
Authors and Affiliations
Elena A. Papkova
Keywords
Related Articles
- EP ID EP26124
- DOI 10.22455/2500-4247-2016-1-3-4-399-418
- Views 517
- Downloads 16
DIALOGUE AND DIALOGISM IN THE NOVELS OF CRÉBILLON-FILS
Conversation was highly relevant for the 17th and 18th century French aristocratic culture; a simple talk quickly grew into a “real” social ritual with its inner structure and “poetics.” Likewise, it influenced French l...
“Prayer to the Archangel Michael” and “The Dream of Our Lady” in the Records of Petr G. Bogatirev (On the Archival Materials)
This is the first publication of “The Dream of Our Lady” and “The Prayer to Archangel Michael,” two pieces recorded by Petr G. Bogatirev in 1914–1915 in the village Bavykino of the Moscow region with a commentary. The pu...
THEATER IN THE AESTHETICS OF THE “YOUNG VIENNA” GROUP
The article examines “theater” as a cultural and artistic universal that served as a means ofThe article examines “theater” as a cultural and artistic universal that served as a means of developing mindset and self-ident...
Zolotarev А.А. Campo Santo of my Memory: Memoir. Fiction. Poems. Essays. Philosophical Works. Opinions of Contemporaries. Edited by D.S. Moskovskaya and V.E. Halizev. St. Petersburg: ROSTOK Publ., 2016. Review
No Abstract
FATES AND BIOGRAPHIES OF THE AVANT‑GARDE ERA: INGEBORG PRIOR’S SOPHIE’S LEGACY. FROM HANOVER TO This is an open access article SIBERIA. A TRAGIC STORY OF SOPHIE distributed under the Creative LISSITZKY-KÜPPERS AND HER STOLEN PAINTINGS. (NOVOSIBIRSK: “SVIN’IN AND SONS,” 2016. 352 р.)
The article was prepared with the support of the Russian Foundation for The article was prepared with the support of the Russian Foundation for Humanities; project no № 16-04-00268: “Siberian avant-garde of the 1920s...