The Issue of the Reader in Treatises of European Romanticists: a Comparative Aspect

Abstract

The article investigates the issue of the reader in the Romantic era as a period of its development. Theoretical achievements on the above mentioned issue has been analysed in the following national versions of Romanticіsm: German, French Romanticism. The author emphasizes the importance of combining aesthetic and philosophical principles in the ideas of German romanticists that influenced the development of art. Accordingly, the reader is given the role of an active agent of reception (the concepts of J. Herres, F. Schlegel, W. Wackenroder, J.C. Schelling, F. Schlachermeyer). It is noted, that the representatives of early French Romanticism singled out the category of morality as the basis of the impact of art on the reader, thus their theory is ethical and aesthetic in nature (the theory of Jean de Stael, P. S. Ballance). The task of the reader is to understand the true essence of the authors words. With the penetration of the German aesthetic and philosophical doctrines into French Romanticism, the works of J. Joubert and B. Constant make the reader is interpret the work in their own way.

Authors and Affiliations

Н. М. Павлюх

Keywords

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  • EP ID EP456304
  • DOI -
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How To Cite

Н. М. Павлюх (2016). The Issue of the Reader in Treatises of European Romanticists: a Comparative Aspect. Науковий вісник Міжнародного гуманітарного університету. Серія «Філологія», 23(1), 75-78. https://europub.co.uk/articles/-A-456304