The Rise of Puente Genil, work of Alonso de Mena y Escalante

Journal Title: UcoArte. Revista de Teoría e Historia del Arte - Year 2016, Vol 5, Issue 3

Abstract

The sculpture of Christ resurrected found in Puente Genil, Córdoba has for a long time been thought to be the work of the sculptor Alonso de Mena y Escalante from Granada. Previously unseen documents have now been discovered that show that the piece was originally commissioned to the painter Alonso de Gálvez from Écija, Seville and that he in turn commissioned the piece to Alonso de Mena y Escalante and then later Gálvez made his polychrome in 1636. This artistic exchange could also be behind other sculptures in Écija that have been attributed to Alonso de Mena y Escalante.

Authors and Affiliations

Gerardo García León

Keywords

Related Articles

Restoration and embellishment of the church of Santa Maria dei Greci from the Norman period to the Bourbon

The history of the restoration works and of the "embellishment" works carried out in the church of santa Maria dei Greci in Agrigento crosses a temporal interval that goes from the Norman period to our days, in a continu...

The Series of Angles of the Monastery of Saint Joseph and Saint Roch of Aguilar de la Frontera (Córdoba)

In Aguilar de la Frontera (Córdoba) there exists numerous angelic representations, that evidence the great devotion that they professed to the angles in this town in Córdoba during the Modern Age. The article, based on a...

The major chapel of San Juan de Baza's Church (Granada)

The church of San Juan, a unique building of the sixteenth century, represents as a whole an outstanding manifestation of the transit from late Gothic architecture to renaissance architecture in the north of the Kingdom...

The curator as artist. Questioning about its limits

The figure of the curator encloses many of the powers that we regard as proper of the artist. This text aims to draw attention to the artistry that is present in the work of the curator, a task in which we will be accomp...

Preceding engravings of the ecstasy of Bernini's Blessed Ludovica Albertoni in the work of Guillaume Valet

The study presents, within the artistic relations between Italy and France during the Roman High Baroque and the context of the diffusion of the Teresian Carmel design, which the most important maestros of the day were w...

Download PDF file
  • EP ID EP704519
  • DOI https://doi.org/10.21071/ucoarte.v5i0.9553
  • Views 97
  • Downloads 0

How To Cite

Gerardo García León (2016). The Rise of Puente Genil, work of Alonso de Mena y Escalante. UcoArte. Revista de Teoría e Historia del Arte, 5(3), -. https://europub.co.uk/articles/-A-704519