THE SOCIAL CRITICISM OF AUSTRALIAN ROADKILL CULTURE IN GEORGE MILLER’S «MAD MAX» SERIES
Journal Title: Δόξα / Докса. Збірник наукових праць з філософії та філології - Year 2015, Vol 2, Issue
Abstract
Film series “Mad Max” is the George Miller’s social critical statement about the Australian car culture that is based on auto-fetishism. The Australian car culture is a kind of consumerism. The car murder culture, within what car is considered as a weapon of murder, is embedded into the Australian car culture.
Authors and Affiliations
Konstantin RAYHERT
«RUSSKIY MIR» AS A RELIGIOUS ARTICULATION OF THE RUSSIAN IDEA IN THE GLOBAL ERA. RISKS FOR UKRAINE
In the article are investigated nature, goals and means of influencing of the phenomenon of «Russkiy Mir». What it is? What are the implications of this project today and what can we expect tomorrow? What is the essence...
THE WAYS OF DIALOGUE, or THE OVERCOMING OF DEATH BY THE WORD
The article deals with the dialogical opportunities of poetic word, the interaction between this world and the other world, and peculiarities of the dialogue with a specific otherworldly discourser. Creative Heritage of...
THE CONTOURS OF THE EUCHARISTIC ANTHROPOLOGY OF ALEXANDR FILONENKO
The project of the Eucharistic anthropology that was proposed by Alexandr Filonenko, for the first time on a national scale in theological and philosophical studies,presents eucharistic anthropology as a new branch of ph...
LAUGHTER AS DEATH
The subject of the article is to examine the functions of laughter in à process of communication. Laughter breaks communication, making impossible its continuation. This is possible due to the fact that laughter opens a...
IMMERSIBILITY AS THE MECHANISM OF NEW ARTISTIC REALITY CREATING
The article is devoted to the investigation of the phenomenon of immersion as an actual feature and mechanism of modern art practics. The connection between actual inquiries in modern culture and immersion as a mechanism...