Theatrical art: The Mysteriality of theatrical art as a "formula" of the expression of the depth and immeasurability of human existence
Journal Title: Вісник Національної академії керівних кадрів культури і мистецтв - Year 2018, Vol 1, Issue 4
Abstract
The purpose of the research is to broaden the field of understanding of the mysterious foundations of the theatrical art from the point of view of the unity of meanings that are in the process of constant birth, growth, transformation and replace- ment by new relatively complete disclosure of transcendental and meaningfulness as complete mutual penetration, free solidar- ity of spiritual and material, ideal and real essences. The methodological basis of the research is the fundamental philosophi- cal-theoretical and cultural tradition of Western European and Russian thought, including the development of consciousness in the general process of cultural and historical life in its deepest foundations: through the transformation of "life-meaning", and the idea of the mystery is interpreted as interpreting the value-essential layers and aspects of being. The comprehension of the mystery from the point of view of the transgressive essence is a substantial center around which the study of its spiritual dimen- sions, nature, dialectics, Methodological research strategy tends to the synthesis of cultural, art and axiological approaches, providing for the expansion of analysts' optics, understanding of the deep semantic structure of the mystery. Scientific novelty consists in the substantiation of the semantic organization of the mysterial structure, its value-content characteristics in the con- text of the art-cultural and cultural aspects of existence and manifestation of the mysterial, which allows us to identify the ener- gy-form-forming components of it. The conclusions: the primacy of the spiritual over the empirically concrete appears as the axiology of the conceptual substantiations of the mystery, which can serve as the paradigm of the ascent of man to the desired point where God, where the Spirit, where there is some, lying outside the unfolding of the metaphysical space in which new layers are opened creating meanings, building awareness of their place in the world and a correct understanding of how to be to "appear as a person."
Authors and Affiliations
Svetlana Shumakova
DIALOGUE OF CULTURES: E. HALL AND F. KLUCKHOHN
The purpose of the study. This paper aims at highlighting some of the main approaches to intercultural dia- logue – E. Hall’s cultural factors and F. Kluckhohn and F. Strodtbeck’s value orientations theory. Methodology....
REVIEW on the monograph by O. V. Muravskaya "Eastern Christian paradigm of European culture and music of the XVIII-XX centuries"
Аналізуючи специфіку співвідношення християнського Сходу та Заходу в культурно-історичних реаліях сучасності, архимандрит Рафаіл (Карелін) відзначив: "Західна цивілізація – це нібито широка хвиля світла, але світла розсі...
Postmodern features in "The Nutcracker" ballet by Р. Tchaikovsky – R. Poklitaru
The purpose of the article is to investigate the manifestation of postmodern trends in contemporary Ukrainian ballet theater through the example of the ballet "The Nutcracker" by Р. Tchaikovsky – R. Poklitaru. Analyzing...
REVISITING THE POLYGENESIS OF MUSICAL ART
The purpose of the work. The article under consideration deals with the analysis of verbal and musical-sound (extra-speech) origins of music in the aspect of their dependent-independent relations, coordinated with the co...
Theoretical aspects of identity research in virtual communities
Trach Julia, Candidate of Pedagogical Sciences, Associate Professor of the Kiev National University of Culture Theoretical aspects of identity research in virtual communities The purpose of the article is to generalize...