THEORETICAL CONCEPTS OF ANALYSIS OF THE STAGE IMAGE OF THE ACTOR
Journal Title: Молодь і ринок - Year 2018, Vol 167, Issue 12
Abstract
The article reveals the theoretical concepts on the problem of analyzing the stage image in the process of the actor’s professional training. It was found that the investigated issue becomes actuality, as systems with main integral elements, which should possess the actor on the stage. The analysis of the theoretical works of domestic scientists was conducted, that testifies that in the context of the research the considered issue is relevant and important in relation to disclosure concept. It has been found out that the actor as a cultural phenomenon is a topic that goes beyond theatre studies and art studies. It needs a philosophical-aesthetic, general psychological and cultural-historical consideration. The formation of an actor is impossible without taking into account the socio-cultural factors, in particular such as social needs, ideology, aesthetic values, and norms of social behavior. In certain historical conditions of the existence of art they form as methods of artistic activity, and standards of perception and personal installations of the artist. Thus, the complex study of the actor’s personality, the essence of his social and psychological characteristics, and his understanding of the phenomenon of human culture are topical issues of modern theatre studies and cultural studies. In respect of the problem of the actor’s stage art, these issues remain important in all periods of historical development. It is possible to note the relevance of this theme in the reversal of the problems of the actor’s stage art, these issues remain important in all periods of historical development.
Authors and Affiliations
Alla Medvedyeva
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