Trupia perwersyjność albo Akademia wszelkiej sciencyi pełna
Journal Title: Annales Universitatis Pedagogicae Cracoviensis. Studia de Arte et Educatione - Year 2017, Vol 0, Issue 243
Abstract
The article concerns a series of photographies "It is hard to slay the dragon, but you must try" (2016) by Irena Kalicka. Photos are based on "The New Athens" by a Polish Jesuitical priest Benedict Chmielowski. His work is defined to be the first Polish encyclopedia of the 18th century. Some excerpts from the Sarmatian compendium of the knowledge of that time are analyzed in the context of an essay by Maurice Blanchot "The corpse similarity". In examining the timeliness of phantasms presented in "The New Athens", Kalicka deposited them in the contemporary context of sociopolitical, pointing to the tendency of the culture to mediations and various types of artificial constructs. In this way, the cycle becomes the manifestation of view, based on the oversight and aesthetization.
Authors and Affiliations
Katarzyna Oczkowska
The political (in) landscape and post-Occupy art practices
Artykuł dotyczy politycznych aspektów Land Artu oraz stara się odpowiedzieć na pytanie, na ile współczesny klimat artystyczny i polityczny wytworzył sytuację, w której naturalnym kontekstem dla tworzenia politycznych wyp...
Monumentalna przestrzeń pomnika Pomordowanych Żydów Europy
The Memorial to the Murdered Jews of Europe designed by Peter Eisenman is the monumental and sublime arrangement of the urban space in Berlin. As sublime, the space does not yield to profanation recently attempted by the...
Estetyka rewolucyjna czy nowa forma nacjonalizmu? Sztuka ulicy w Kijowie w latach 2013–2016
From the very beginning the revolution in Maydan in Ukraine was marked by artistic activities, which were slowly changing into an aesthetic, political, social and personal message. Art became an individual way to express...
Artiste Anonyme / Anonymous Conceptual Artist / Umjetnik u krizi: Goran Trbuljak’s Names and Namelessness
of the status of the figure of the artist and the institution of the exhibition. This article focuses on the centrality of various forms of self-concealment, primarily anonymity and the use of pseudonyms, in Trbuljak’s a...
Vanishing Taste: On the Sensual Experience of an Artwork
challenge for researchers, art historians, and conservators. The article concentrates on the various aspects of experiencing taste, its place in aesthetics and different ways in which artists engage this sense in their w...