TWÓRCZOŚĆ DRAMATYCZNA DEI LOHER W POLSCE. RECEPCJA INSCENIZACJI "PRZYPADKU KLARY"
Journal Title: Prace Naukowe Akademii im. Jana Długosza w Częstochowie - Studia Neofilologiczne - Year 2015, Vol 0, Issue 0
Abstract
Dea Loher belongs to the post-modern period of the German language theatre, and she is one of its the most popular and interesting figures. Her work first appeared on a Polish theatrical stage in 2001 when the Polish Theatre in Wroclaw presented "Klaras Verhältnisse" ["Clara’s Relations"]. The play was so popular that within a very short period of time three more theatres as well as eminent directors such as Krystian Lupa and Magdalena Łazarkiewicz were involved in new stage productions. Because each realization of the play differs from others, this rather confirms the common opinion about Loher. She is perceived as an author who loves to present the problems of the modern world while – at the same time – she skirts giving straight answers to difficult questions.
Authors and Affiliations
Anna Szyndler
Keywords
Related Articles
- EP ID EP185559
- DOI 10.16926/sn.2015.11.09
- Views 60
- Downloads 0
MIEJSKA PRZESTRZEŃ SĄSIEDZKA W KONTEKŚCIE PRZEJAWÓW SENSYTYWNYCH
The author believes, that the human being orientation in the surrounding reality and its actions within it in the essential extent are dependent on the speaker’s sensitive component. The demonstration of the work of the...
DYŻURNA FEMINISTKA. DLACZEGO I JAK POLSKIE PISARKI CZYTAJĄ ELFRIEDE JELINEK
Elfriede Jelinek, an icon of ecriture feminine, is very popular among modern Polish female writers. Her works are often quoted or referred to by: Filipiak, Keff, Bator, Chutnik und Drotkiewicz. However, the depth of the...
TWÓRCZOŚĆ DRAMATYCZNA DEI LOHER W POLSCE. RECEPCJA INSCENIZACJI "PRZYPADKU KLARY"
Dea Loher belongs to the post-modern period of the German language theatre, and she is one of its the most popular and interesting figures. Her work first appeared on a Polish theatrical stage in 2001 when the Polish The...
Some Remarks on the Audenesque Self Viewed as a Product of the Inter-War English Domesticity
The paper focuses on the formation and predicament of the Audenesque self as a reflection of the inter-war English domesticity emerging from the discourse of the 1930s, especially from the poetry of the Pylon school: W.H...
UND SIE BEWEGT SICH DOCH!
Daniel Henseler, Renata Makarska (Hg.), Polnische Literatur in Bewegung. Die Exilwelle der 1980er Jahre. Transcript Verlag, Bielefeld 2013, S. 363.