UKRAINIAN BAROQUE AND EUROPEAN CONTEXT
Journal Title: Вісник Національної академії керівних кадрів культури і мистецтв - Year 2018, Vol 1, Issue 3
Abstract
The purpose of the research. The research is associated with a comprehensive study of icon painting in Slo- boda Ukraine. It is an attempt of historical justification and objective interpretation of icon painting artefacts of the Ba- roque period in the seventeenth and eighteenth century from the point of view of the style formation, icon painting fea- tures and identification of regional specificity as an integral part of the historically determined artistic system and artistic phenomenon of Ukrainian culture. The research methodology consists in the use of art-historical, comparative, and historical and logical methods. Its methodological framework is the principles of systematicity and historicism. Icon paint- ing in Sloboda Ukraine is studied as a phenomenon of national culture and a phenomenon of a certain cultural and his- torical situation interacting with social, historical and cultural factors. The scientific novelty of the research is that it is for the first time in Ukrainian art history that the evolution of icon painting in Sloboda Ukraine is studied and the concept of the cultural and historical context of the origin and development of this artistic phenomenon is extended based on pri- mary sources. The place that the Sloboda Ukraine icons occupy in the general development of Ukrainian icon painting has been determined for the first time. Conclusions. The analysis of the artistic and imagery system of icon painting in Sloboda Ukraine has shown that the Baroque style was dominant in the period studied, as well as in the whole Ukrainian art; it was best suited for the national character and embodied the Ukrainian mentality. The spread of the Baroque style in the region was determined by the peculiarities of the spiritual life of the period, its secularization. Referring to the inno- vations of Western art fell on the original local «soil», intertwining with the Ukrainian sacral painting traditions in the works of various local schools, as well as with the post-Byzantine tradition, which led to original interweaving of archa- isms and innovations.
Authors and Affiliations
Tetyana Panyok
Keywords
Related Articles
- EP ID EP665332
- DOI -
- Views 324
- Downloads 0
ENTERTAINING TELEVISION IN THE FORMING OF THE SPIRITUAL CULTURE OF THE UKRAINIAN YOUTH
Purpose of Research. The specific tendency of the media culture development in modern Ukraine has been the intensive distribution of the entertaining television as a kind of mass art. Its social value is the coverage of...
Government policy in providing services for the examination of cultural values
The purpose of the article is to study the characteristics of the market for the services for the examination of cultural values and the formation of a new paradigm of cultural industry. Research methodology consists in...
INFLUENCE OF THE INFORMATION AND COMMUNICATION ENVIRONMENT ON THE AXIOSPHERE OF A SOCIETY
Purpose of Research. The purpose of the research is to study the influence of the information and communication environment on the functioning of the axiosphere of the modern society. Methodology. The methodology of the...
Ballet "Princess Olga" and folk opera "While a fern is blooming" E. Stankovich on stage of the Dni-propetrovsk academic theatre of opera and ballet
The Dnipropetrovsk Academic Theatre of Opera and Ballet operates the 42th season. The Opera and ballet troupe has participated in many international and Ukrainian festivals and competitions. It toured abroad. The notable...
GENDER DETERMINATION OF POPULAR CULTURE AT THE TURN OF THE 20th AND 21ST CENTURIES
The purpose of the article is to define the outline of culture as a variation of the feminine sign system. Methodology of the research is a gender approach that helps to determinate the nature / energy that drives popula...