УКРАЇНСЬКА МОДЕЛЬ ФУТУРИЗМУ: СТАН СУЧАСНИХ ДОСЛІДЖЕНЬ
Journal Title: Гуманітарний часопис - Year 2015, Vol 1, Issue 1
Abstract
Kholodynska S. M. UKRAINIAN FUTURISM MODEL: THE STATE OF MODERN RESEARCH The article analyzes the modern theoretical findings concerning Ukrainian Futurism, which is a conspicuous phenomenon in the national culture of the beginning of the 20th century. Futuristic movement is combined with other areas under the term "avant-garde art." Since the rehabilitation of the avant-garde art movement participants in the 70s - early 80s of the 20th century the research work on restoring the history of development of different areas of Ukrainian avant-garde art had been intensified. When analyzing the avant-garde art and art criticism, it can be seen clearly that there are two literary trends that have emerged due consideration pictorial, theatrical or literary heritage of the avant-garde: they are the art history trend and the literary one. There is also the cultural trend of studying the avant-garde to be mentioned, which aims to consider the aesthetic and artistic experiments of Ukrainian painters and poets in the broader context of a culture-relevant historical period. The article shows that the Futurism in Ukraine "fits" chronologically in the ItalianRussian Futurist movement, but the first steps of development have their own distinctive features and values. According to some researchers, the whole history of this phenomenon is to be divided into three periods: 1. The beginning of the 20th century – the First World War. 2. The First World War – the Second World War. 3. The Second World War - nowadays. Other scientists "fit" the avant-garde movement in general and distinguish the following periods of its development: 1. 1908-1910 years - 1932, 2. late 50's - mid 80's, 3. mid-1980s - nowadays. The article shows that the first period, including the formation of Ukrainian avant-garde art, is defined by experts in different ways, which stimulates the further research. The paper systematizes the scientific and theoretical work on the reconstruction of Ukrainian Futurism models that have been implemented by the end of the last century. The author shows that the majority of Ukrainian scientists move from the general to the particular, considering the phenomenon of "avant-garde art" first, and then single out a particular direction, making it the subject of the independent analysis. This causes the automatic transfer of common assessments "avant-garde art" on futurism, cubism, abstractionism and other components of this phenomenon. The article states that when analyzing the Ukrainian Futurism, many authors are in quite a difficult situation, because they should first consider the creativity and theoretical legacy of those artists who clearly defined themselves as futurists. In addition, the researchers should take into account the complex branching of the futurism and see the situation when an artist had changed his artistic trends, defining himself both the futurist and the cubists, and even the abstractionist.
Authors and Affiliations
Світлана Холодинська
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