Whaddya rebellin’ against? Youth Rebellion and Domesticity in The Wild One and Rebel Without a Cause
Journal Title: Kultura Popularna - Year 2018, Vol 4, Issue 58
Abstract
The article focuses on the conflict between youth and domestic values in 1950s America on the example of the movies The Wild One and Rebel Without a Cause. Using elements of subcultural studies, the films are discussed as didactic in purpose, conveying a sense of fear of youth culture, then a new development, and reinforcing the patriarchal structure of mid-20th century US society. This was achieved by depicting troubled young people who manage to overcome various difficulties with the help of a strong masculine father-figure. However, as a result of this, some young people sought for characters who in their opinions embodied a non-conformist stance to a much greater extent than the protagonists. These characters, Chino in The Wild One and Plato in Rebel Without a Cause, became subcultural icons in their own right, and illustrate the impact that such cinematic portrayals may have on the development of a subculture.<br/><br/>
Authors and Affiliations
Mirosław Aleksander Miernik
Moda jako źródło cierpień: etyczny wymiar produkcji i obrazowania
Fashion, both in its manufacturing dimension and as a field of visual culture, remains morally involved. The article is an attempt to incorporate phenomena related to fashion in an ethical perspective. The first part of...
Lepsze życie śmieci? Design i upcykling
This paper is written to present the usage of waste materials in modern design. At the beginning the author analyzes the sources of fascination with waste and trash in art. Then the phenomenon from the borderline of ecol...
Other Presences: Elizabeth Bishop's Poetics of Hospitality
A stranger in Brazil, where she found home for 15 years, Bishop is known for her attentive depictions of landscapes, objects and animals. The article looks at the presences of others in her writing and postulates the pos...
Fighting for Rosenbergs. The Polish staging of Leon Kruczkowski’s play “Julius and Ethel”
Leon Kruczkowski was one of the few Polish writers to publicly protest about the treatment of Jewish people by the Polish Government in the years preceding World War II. First performed in Warsaw in 1954, his Polish play...
Jedzenie jako oralna fiksacja. Filmowe rozważania o miłości i konsekwencjach jej braku
Experiencing the world though lips, as the newborn does it by sucking the mother's breast, is comforting the intensive stimulation of hunger, so eating provides relief, fulfills the need of not only repletion but also o...