Based on an analysis of two Prefaces to Horace Walpole’s The Castle of Otranto. A Gothic Story, the paper offers a cognitive poetics view of paratext, a literary device defined by Genette as “a threshold of interpretatio...
The article traces the affinities between cultural narcissism on the one hand and the representation of individual and collective identities in visual media on the other. By referring to a body of research on narcissism,...
The paper discusses refocalization as a strategy of rewriting in the literary apocrypha (D. Szajnert). Refocalization, that is based on G. Genette and H. Jenkins’ conclusions, refers to the shift from the perspective and...
EP ID EP547758
DOI 10.26485/ZRL/2018/61.3/7
Views 93
Downloads 0
How To Cite
Michał Rozmysł (2018). Zbrodnia jako dzieło sztuki? Na marginesie African Psycho Alaina Mabanckou. Zagadnienia Rodzajów Literackich, 61(3),
107-115. https://europub.co.uk/articles/-A-547758
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A Cognitive Poetic Approach to Paratext: Horace Walpole’s Prefaces to The Castle of Otranto. A Gothic Story
Based on an analysis of two Prefaces to Horace Walpole’s The Castle of Otranto. A Gothic Story, the paper offers a cognitive poetics view of paratext, a literary device defined by Genette as “a threshold of interpretatio...
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The article traces the affinities between cultural narcissism on the one hand and the representation of individual and collective identities in visual media on the other. By referring to a body of research on narcissism,...
Refocalization as a Strategy of Apocryphal Rewriting
The paper discusses refocalization as a strategy of rewriting in the literary apocrypha (D. Szajnert). Refocalization, that is based on G. Genette and H. Jenkins’ conclusions, refers to the shift from the perspective and...