This article presents and analyses a striking similarity between Zielona Gęś (The Green Goose), a collection of short plays by Polish poet K. I. Gałczyński, published first in 1946−1950, and the BBC series Monty Python’s...
This work is dedicated to the dialogue of two religious traditions in the work of Czesław Miłosz. It is an attempt to answer the question of relations between Gnosticism and Zen, and their role in Dalsze okolice, but als...
The article focuses on the history of gendered and sexually oriented readings of Georgia O’Keeffe’s art and her surprisingly trenchant, wry and witty responses to skewed and biased interpretations of her paintings of mag...
The present paper will offer a postmodern reading of interdisciplinarity by investigating the multifaceted writing and the coexistence between various disciplines in Eugene O’Neill’s Mourning Becomes Electra (1931). Vers...
EP ID EP547758
DOI 10.26485/ZRL/2018/61.3/7
Views 97
Downloads 0
How To Cite
Michał Rozmysł (2018). Zbrodnia jako dzieło sztuki? Na marginesie African Psycho Alaina Mabanckou. Zagadnienia Rodzajów Literackich, 61(3),
107-115. https://europub.co.uk/articles/-A-547758
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Gałczyński i Monty Python? O nową interpretację Zielonej Gęsi
This article presents and analyses a striking similarity between Zielona Gęś (The Green Goose), a collection of short plays by Polish poet K. I. Gałczyński, published first in 1946−1950, and the BBC series Monty Python’s...
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The article focuses on the history of gendered and sexually oriented readings of Georgia O’Keeffe’s art and her surprisingly trenchant, wry and witty responses to skewed and biased interpretations of her paintings of mag...
A Postmodern Reading of Versatile Writing in Eugene O’Neill’s Mourning Become Electra
The present paper will offer a postmodern reading of interdisciplinarity by investigating the multifaceted writing and the coexistence between various disciplines in Eugene O’Neill’s Mourning Becomes Electra (1931). Vers...