Art, Vision, and the Necessity of a Post-Analytic Phenomenology

Abstract

Paul Crowther, Phenomenologies of Art and Vision: A Post-Analytic Turn, New York: Bloomsbury Academic, 2013, 208 p.

Authors and Affiliations

Ludmila Birsan

Keywords

Related Articles

L’autorité éducative à l’épreuve de la démocratisation de la vie scolaire

School is an educational institution designed to socialize future citizens that are Students, to adapt them to the Society to which they belong. But we cannot adapt without forcing. This means that all education, includi...

Les deux justices selon Nietzsche : un exemple d’inversion des valeurs

There are two types of justice in Nietzsche: a moral justice that he criticizes and an extra-moral one which corresponds to a « a great justice » that he sustains. However, in the passage from the former to the latter co...

Human Security: A Normative Perspective

The globalization process, even more obvious after the end of Cold War, offers the conditions to define human security, focusing on the normative priority of the impact of policies on the individual. The international sp...

La douleur comme « matrice » de la vie intérieure chez Nietzsche

This paper attempts to put some order among the different notions of pain that are to be found in the Nietzschean philosophical corpus. It tries to show that there is a mutation of the Nietzschean concept of pain, from t...

Wertapriori und Wertsein in der materialen Wertethik Max Schelers

Scheler called “material ethics of value” his own phenomenological ethics. Therefore, to clarify the concept of “value” is the most important step for a good understanding of his phenomenological material ethics of value...

Download PDF file
  • EP ID EP88195
  • DOI -
  • Views 135
  • Downloads 0

How To Cite

Ludmila Birsan (2013). Art, Vision, and the Necessity of a Post-Analytic Phenomenology. Meta: Research in Hermeneutics, Phenomenology, and Practical Philosophy, 5(1), 233-238. https://europub.co.uk/articles/-A-88195