Art, Vision, and the Necessity of a Post-Analytic Phenomenology

Abstract

Paul Crowther, Phenomenologies of Art and Vision: A Post-Analytic Turn, New York: Bloomsbury Academic, 2013, 208 p.

Authors and Affiliations

Ludmila Birsan

Keywords

Related Articles

 Behind the “Death of the Author”: Radical French Philosophy and the Fascination of the Sacred

Jean Christophe Goddard,[i]Violence et subjectivité. Derrida, Deleuze, Maldiney[/i], Paris: Vrin, 2008

The Curse of the Righter of Wrongs, the Goat and the Prophet: Elements for a Theory of the Theologico-Political Ways of Subjectivation

This paper reflects on the relation between psychiatric institutions and political thought. Starting from the distinction made by G. de Clérambault between interpretation and passionate deliria, we aim at identifying two...

Introduction au dossier thématique « Maurice Merleau-Ponty - Jan Patočka : un rendez-vous manqué »

Introduction au dossier thématique « Maurice Merleau-Ponty - Jan Patočka : un rendez-vous manqué »

Cosmodernism or the new imaginary

Christian Moraru, Cosmodernism. American Narrative, Late Globalization, and the new Cultural Imaginary, Ann Arbor: The University of Michigan Press, 2011

Bergsonian Freedom and Responsibility

In the Essay Bergson defines personal expression as free. A free act is the expression of the conception of life found in a person’s experience of life. Given that it is different for everyone, it cannot be expressed in...

Download PDF file
  • EP ID EP88195
  • DOI -
  • Views 115
  • Downloads 0

How To Cite

Ludmila Birsan (2013). Art, Vision, and the Necessity of a Post-Analytic Phenomenology. Meta: Research in Hermeneutics, Phenomenology, and Practical Philosophy, 5(1), 233-238. https://europub.co.uk/articles/-A-88195