ARTISTIC AND AESTHETIC PRO PERTIES OF VISUALIZA TION OF E VENTS IN THE TALES OF M. ZHU K
Journal Title: Проблеми сучасного літературознавства - Year 2017, Vol 0, Issue 25
Abstract
In the given article the author techniques of artificial word creation in M. Zhukh’s are observed. There are different ways to define an even and eventfullness. The two backgrounds are described to display eventfulness in M. Zhukh’s compositions, they are: presentation of events (a plot unit of a composition) and as a processs of the text outcome in the aspect of the author’s self-indification, definition of his ideas and his style. Eventfullness in M. Zhukh’s fairy-tails is a binomial phenomenon, in the first background it is a combination of plot artistic elements, exactly this type of eventfulness is described them brightly in the fairy-tails with form of the author-narrator’s presence. Creating the plot of such a composition the narrator, as a rule uses a device of playwitht reader, emotionally coloured sentences, assimilation and personification, expressive vocabulary, uses interruption of the linear type of narration, in order to pay the recipient’s attention to certain events. The second background is described in the level of text creation and reveals the events of narration themselves. In this case in the composition the biographical author is present, the real creator of the composition, he displays himself through metatextual indexes, as remarks, explanations, parenthesis, the preface, the inscription and illustrations. The devices used by the author contribute to the emotional fullness of the composition, possibility of the qualitative communication between the author and the recipient, appearance of the composition and the author’s individuality. The conditional demarcation of the plot events, as a plot unit of a text, and events of the text presentation, as a process of the text outcome lets us define the specifics of the narrator’s image and the author’s image. Owing to the fixation of the high artistic value of the composition, as an artistic imagery is opened, we can watch the author’s attempt of self-indification, the motion of his self-awareness.
Authors and Affiliations
Ekaterina Romanova
Keywords
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