CREATIVE PERSONALITY OF THE WRITER: PROJECTION ON PSYCHOGRAPHY
Journal Title: Проблеми сучасного літературознавства - Year 2019, Vol 0, Issue 28
Abstract
The article is devoted to the consideration of the author’s concepts of the writer’s psychological organization (psychography). In the literary critique of the twentieth century, psychography as a method of differential psychology is established, which was proposed by the German scientist William Stern. Psychography involves the systematization of individual characteristics on a psychological basis, taking into account the uniqueness of the inner world of man and his biography. Based on the psychological understanding of individuality as a set of properties of different levels, psychology as a «description of the soul» involves the analysis of mental properties, and literary study of the psychological character of the writer is primarily directed to literary and domestic material. Understanding the personality of the writer as an organic unity of his psychological characteristics and literature as a product of his creative activity, the approach to its careful scientific examination falls within the framework of literary-psychological psychographic analysis. The basis for the analysis of this type should take psychological theory. The concepts of the writer’s psychography, proposed in his time in the psychoanalytic studies of Stepan Baley, Sigmund Freud, the characterological works of Alexander Lazursky, the psychopathological works of Karl Jaspers and Ernst Kretschmer, are consonant with the predestination of the psychological structure of the writer and his literary works — this is about the impact on the content of the artistic works, author’s style, creative potency and the creative process in general. In professional psychological works, the structuring of the writer’s inner world is one of the components of the problem of the psychology of the artist’s creativity, which is solved depending on the general guidelines of the representatives of the direction in which it is stated: classical psychoanalysis of the Freudian model, differential psychology, psychopathology. Such a professional reading of the personality of the writer by psychologists becomes a reliable methodological basis for conducting in the field of literary studies further scientific interpretation of the psychological and creative essence of the author.
Authors and Affiliations
Olha Punina
AUTOBIOGRAPHIES OF LEONID CHERNOV-MALOSHIICHENKO: MEMOIS OF SUBJECTIVE TYPE
This article analyzes two autobiographies of Leonid Chernov- Maloshiichenko, which the author sees as the memoirs of subjective type. The first autobiography of partially forgotten writer is short and resembles like the...
THE POETIC OF THE HOUSEHOLD DETAIL IN THE TEMPTS OF EVGENIY NOSOV
The article is devoted to the artistic methods of detailing the way of life of rural people in three stories by Yevgeny Nosov. The poetics of small things determine the enviroment in which the heroes of stories live, cre...
LIFE BOXES. TO THE QUESTION OF METAPHYSICAL SEARCHES OF V. ROZANOV
The article defines the literary-critical discourse of V. Rozanov, his relevance in the cultural space. The way of critic from undeliberate reflexive strategies to the systematization of his concept, the essence of which...
ПРОБЛЕМА АВТОРСЬКОГО ЖАНРОВОГО ВИЗНАЧЕННЯ П’ЄС Г. КВІТКИ-ОСНОВ’ЯНЕНКА «МЕРТВЕЦЬ-ШАЛУН» ТА «БОЙ-ЖІНКА»
In 20s of the XIXth century Kvitka-Osnovyanenko gives a very strange for that time genre determination to his works («Deadman-misbehavourer», a joke in 2 actions, and «Battle woman», a joke-vaudeville). Let’s try to prov...
BETWEEN FOLKLORE AND FICTION: MAGPIE AND MERMAID TALES BY A.N. TOLSTOY
The present paper discusses early writings of A. N. Tolstoy from the point of view of their relation with the Russian folk works. Folklore was in the centre of Tolstoy’s interest from a very young age. He learnt it, coll...