“ETERNAL THEME” IN ALYONA TOMLENOVA’ SYMPHONIC WORKS: EXPERIENCE OF COMPOSITION OF PHILOSOPHICAL AND MUSICAL COSMOLOGY Марина Русяєва
Journal Title: Δόξα / Докса. Збірник наукових праць з філософії та філології - Year 2018, Vol 2, Issue
Abstract
The article presents the strategy of the philosophical and culturological interpretation of the symphonic works of the famous Ukrainian composer Alyona Tomlenova based on the fundamental concepts of «cosmism» and «cosmologism», whose origins lie in ancient world outlook. Our task is to identify the theoretical and world-view foundations of musical cosmism, which are embodied in the cycle of symphonies of A. Tomlenova. We emphasize that cosmism is a universal phenomenon. In each culture, it takes a specific configuration and form, creates its own intellectual field. In general, we define cosmism as a desire to comprehend Cosmos and express it in philosophical theories, artistic and anthropological intuitions, and in personal existential experience. We presume that musical cosmism is, on the one hand, the development of such a complex, controversial, multifaceted phenomenon as cosmism, on the other hand, the result of the search for a new universal language and symbolism in the very music of the XX-XXI century. A deep study of musical cosmism remains to be done. Our research strategy is to look for the essence of musical cosmism and cosmology as the conceptual core of this phenomenon, not to turn to theoretical abstractions, but rather to the work of individual musicians for whom the “cosmac theme” becomes organic.
Authors and Affiliations
Marina Rusyaeva
Keywords
Related Articles
- EP ID EP553477
- DOI 10.18524/2410-2601.2018.2(30).150594
- Views 52
- Downloads 0
«TIP OF THE TONGUE»: THE PHENOMENON OF FORGOTTEN WORDS
The article is devoted to the philosophical analysis of the phenomenon of «tip of the tongue». To explain this phenomenon, the author turns to the ideas of generative linguistics (N. Chomsky), to the general parametric t...
HISTORIOGRAPHY AS A FORM OF FALSE MEMORIES
The article deals with the basic similarity of historical mythology (a national myth) and historiography, which claims to construct and represent of the «national memory» from the point of view of scientific discourse. I...
LAUDATIO IMPERII. UNTIMELY REFLECTION AFTER THE SUNSET OF A “GREAT IDEA”
When it comes to the philosophical reception of the imperial idea and practice between the two world wars, we recognize Ortega y Gasset, Evola and Heidegger as the most typical figures. True, they paid her different atte...
MUSICAL THINKING AS APPROXIMATE MEASUREMENTS AND CALCULATION OPERATIONS
Clause is devoted to studying of a phenomenon of musical thinking. It is affirms, that the actions of approximate measurement and calculation operations are immanent components of musical thinking. It is marked, that fou...
FAILURE OF MORALITY
The principal thesis of this article is to see Levinas’ philosophy as an attempt to protest against the goodness of health and the undiscussable value of selfcontrol and the notions associated with it – freedom, heroism,...