Heidegger΄s Essay on the Origin of the Work of Art from a Polyphonic Perspective
Journal Title: Meta: Research in Hermeneutics, Phenomenology, and Practical Philosophy - Year 2012, Vol 4, Issue 1
Abstract
David Espinet, Tobias Keiling (Hrsg.), Heideggers Ursprung des Kunstwerks. Ein Kooperativer Kommentar, Frankfurt am Main: Klostermann Verlag, 2011
Authors and Affiliations
Diego d Angelo
The Broader Horizon of Passivity in Husserl’s Phenomenology
Victor Biceaga,[i]The Concept of Passivity in Husserl’s Phenomenology[/i], London, New York: Springer, 2010
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The main purpose of this article is to tackle the problem of living together – as dignified human beings – in a certain territory in the field of social philosophy, on the theoretical grounding ensured by some remarkable...
Theories and Uses in Common: Responses of Art in the Public Sphere
Different theories on public sphere(s) complete each other or collide in examining the intersubjective relationships involved in organizing and administering the responses of society to the political and economical power...
Being born from the world and being born to the world: Merleau-Ponty / Patočka
The phenomenon of birth is here to be presented as a crucial one, discreet though, into Merleau-Ponty and Patočka’s philosophy. So it deserves a confrontation of their respective thoughts. Both of them have radicalised H...
Mission Impossible? Thinking What Must be Thought in Heidegger and Deleuze
In this paper, I discuss and compare the (im)possibility of thinking that which is most worth our thought in Deleuze’s What Is Philosophy? (1994) and Heidegger’s course lectures in What Is Called Thinking? (2004). Both a...