ИСТОКИ ЭСТЕТИЧЕСКОГО ИДЕАЛА К. ЧЕРНИ
Journal Title: World Science - Year 2018, Vol 5, Issue 2
Abstract
The article examines the aesthetic ideal, which is an image of the beautiful, regulating and directing spiritual and practical activities to its acquisition in the objective form as the implementation of value guidelines. It does not have absolute expression; on the contrary, it is historically changeable and depends on many factors, including on the stage of formation and development of this or that local culture. The converse is also true: according to the appearance of a formed culture, viewed from a historical distance, one can judge the inherent aesthetic ideal. At the same time, his mobility is revealed within the boundaries of the culture that he created, caused by its evolutionary dynamics. From these positions, piano performance is interpreted on a fairly long stretch of his historical movement with the predominance of the aesthetic ideal of "pure" pianism - "the era of virtuosos." Its beginning was attributed to the 1780s, the end to the 1840s.
Authors and Affiliations
А. А. Генкин
Keywords
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