John Milton’s ‘Chaotic’ Satan
Journal Title: Anglica. An International Journal of English Studies - Year 2017, Vol 26, Issue 1
Abstract
This article investigates the affi nity between the characters of Satan and Chaos in John Milton’s Paradise Lost. My aim is to show the connections between those characters that appear surprising in the light of Milton’s professed theodicy. On closer inspection certain contradictions become manifest, which may enable analysis of the epic not usually advocated by Miltonic criticism. I propose a fusion of more or less customary Paradise Lost’s criticism with 20th century’s existential philosophy exemplifi ed by Nicolai Berdjaev.
Authors and Affiliations
Tomasz Jabłoński
Mobilising the Red Cross Journal: A Charity’s Periodical in Wartime
The first issue of the Red Cross Journal was published in January 1914, only eight months before the outbreak of the First World War. This article explores the impact of the war on this publication, as the work of the ch...
Surprised by Death, or How Andrew Marvell’s Mower Confronts Death in Arcadia
Death’s crude statement: “Et in Arcadia ego,” does not spring surprise on us, as it is a recognizable pastoral convention. But for the naïve and innocent inhabitant of any type of literary Arcadia this is a moment of won...
From Barbusse to Lemaitre: The Evolution of Experience
Direct witness and thoughtful meditation are core values of content and form in the canon of French Great War fiction and were established from the earliest narratives in 1914. Moral authority and ownership of the truth...
Æfter/ra in the Lindisfarne Gospels: On the Plethora of Its Meanings and Uses in the English Gloss
The present study aims at discussing the use of the Old English ÆFTERin the glosses to the Lindisfarne Gospels, in order to establish patterns of equivalence between the OE gloss and an array of Latin source terms it ren...
The Petty Theft of Fiction – V. S. Pritchett and the Moderate Short Story
The article presents the most important formal and thematic characteristics of V. S. Pritchett’s short stories, and attempts to provide an analytical paradigm for what seems to be an original form of social realist short...