Le sentiment de la culpabilité de survivre – deux images du théâtre français du XXe siècle

Journal Title: Lublin Studies in Modern Languages and Literature - Year 2015, Vol 39, Issue 39

Abstract

Two characters, Franz Gerlach in Jean-Paul Sartre’s The Condemned of Altona (Les sequestrés d’Altona, 1959) and Théo Steiner in Toujours l’orage (1997) by Enzo Cormann, are influenced by their traumatic experience of the war that makes them evade reality and leads them to self-exclusion. Talking to other people provokes questions concerning their identity, family, human development and destiny. Both of the characters are concerned by the feeling of guilt for being alive; this shows how sinuously destiny works in particularly difficult situations while one’s behaviour and actions, once they are recorded by one's conscience, do not let you live anymore because the responsibility becomes too heavy.

Authors and Affiliations

Krystyna Modrzejewska

Keywords

Related Articles

De l’engagement intellectuel à la déchirure : Sartre et les autres…

Claiming responsibility is not exclusively ethical or moral, but also political and ideological. The topic of the writer’s responsibility is at the heart of the main debates in the period 1914-1945. The French Intelligen...

Calque linguistique et transfert sémantique

Many idiomatic expressions specific to the French language have been translated into Arabic in favour of the contact between these two languages. However, these expressions cannot be easily located in Arabic since they r...

Neobaroque and the experience of America in The Brief Wondrous Life of Oscar Wao by Junot Díaz

The article discusses the immigrant experience of America in The Brief Wondrous Life of Oscar Wao by Junot Díaz and analyses it with the use of the neobaroque esthetics. The paper seeks to present neobaroque elements pre...

La neige et la guerre dans La neige était sale de Georges Simenon et Warna ou le poids de la neige de Paul Willems

The purpose of this article entitled “The snow and the war in The Snow was dirty by Georges Simenon and Warna or the weight of the snow by Paul Willems” is to show how the snow is playing a structuring role in the two st...

Between reality and simulation – dissolving generic boundaries in Jonathan Lethem’s Chronic City (2009)

In their attempt to reflect the increasing sense of unreality and media-saturated culture, many contemporary writers show a particular penchant for blurring the boundaries between different generic territories. However,...

Download PDF file
  • EP ID EP389039
  • DOI 10.17951/lsmll.2015.39.1.108
  • Views 57
  • Downloads 0

How To Cite

Krystyna Modrzejewska (2015). Le sentiment de la culpabilité de survivre – deux images du théâtre français du XXe siècle. Lublin Studies in Modern Languages and Literature, 39(39), 108-118. https://europub.co.uk/articles/-A-389039