Metafora synestezyjna w rosyjskich tekstach krytyki muzycznej

Journal Title: ACTA POLONO-RUTHENICA - Year 2018, Vol 3, Issue 0

Abstract

The paper presents a variety of synesthetic metaphors used by musical critics. The metaphors were retrieved from musical critical texts written in Russian, which described classical music events. The basis of division are human senses: hearing, touch, sight and taste. Metaphors are divided into two main groups: intermodal and singlemodal ones. The most representative type turned out to be synesthetic metaphors referring to the sense of touch.

Authors and Affiliations

Maria Dzienisiewicz

Keywords

Related Articles

Świat zwierząt w wierszach Jana Twardowskiego i ich rosyjskich przekładach

In the present article a linguistic image of animals, excerpted from poems of Twardowski, compared with his translation to Russian are the object of analysis. The subject matter of the works concentrates on the most impo...

Функции художественных цитат в публицистическом тексте

The author of this article analyses some poetic quotations which are grouped in the following way:1. Soviet poets, who in different extent of involvement, were apologists of the Soviet reality2. Classicists of the 19th c...

Konceptualizacja wspomnień w polskim i rosyjskim przekładzie autobiografii Vladimira Nabokova Speak, memory. An Autobiography Revisited

The main aim of this article is to analyze the conceptualization of memories in Vladimir Nabokov’s memoir, Speak memory: An Autobiography Revisited and its Polish and Russian translations. The article uses the devices of...

Download PDF file
  • EP ID EP438793
  • DOI 10.31648/apr.2817
  • Views 73
  • Downloads 0

How To Cite

Maria Dzienisiewicz (2018). Metafora synestezyjna w rosyjskich tekstach krytyki muzycznej. ACTA POLONO-RUTHENICA, 3(0), 31-44. https://europub.co.uk/articles/-A-438793