NEW CONSCIOUSNESS AND NEW GENRE: A FRANCOPHONE AFRICAN NOVEL OF TRANSITIONAL TIME
Journal Title: Studia Litterarum - Year 2017, Vol 2, Issue 1
Abstract
In the 1990s and in the beginning of the 20 th century, Congolese and Ivorian literatures witnessed the birth of a new character, an African with bifurcated mentality that, on the one hand, keeps, at least on the superficial level, affinities with archaic consciousness while, on the other hand, is characterized by emerging individualistic and egotistic ambitions. In the mainstream genre of the novel-story, action is replaced by reflection and inner monologue that are typical of self-reflective literature. A character of the novel Le chercheur d’Afriques by a Congolese Lopes is a teacher of Nantes seeking the Africa in his childhood memories about his white father, a doctor. Various cultural values and notions merge in his consciousness. He is asocial, obsessed with one maniacal idea, and passive aggressive; when he presents himself to his father, the latter dies. Champs de bataille et d’amour by an Ivorian Tadjo represents the inner world of a married couple — a university professor and his white wife. Socially passive, obsessed with themselves, they are alienated from both the social life and each other. Widening of the mental horizon with the help of scientific knowledge and contacts with the Western culture accompanied by the simultaneous collapse of the archaic collective consciousness results at best in abstract dreaming as in the case of the astronomer in Dongala’s novel Les petits gar ç ons naissent aussi des é toile. At worst — with sociopathic behavior and madness as in the novel L’impasse by a Congolese Biyaoula where the character-sociopath ends up in a psychiatric clinic. Existential dead-end is the theme of the postmodernist novel Le monsieur Ki. Rapsodie parisi è nne à sourire pour caresser le temps by an Ivorian Kwahul é . A Congolese Sony Labou Tansi was the only writer whose satirical trilogy about Beregue (fictional name) written in the style of avant-garde realism (with the use of postmodernist devices) managed to represent the types of bifurcated consciousness of the African in their diversity and create a solid picture of the contemporary Africa.
Authors and Affiliations
N. D. Lyakhovskaya
Keywords
Related Articles
- EP ID EP26134
- DOI 10.22455/2500-4247-2017-2-1-132-149
- Views 375
- Downloads 17
“JOURNEYS OF THE MIND” IN THE RUSSIAN CULTURAL SOCIETY OF THE 1760-S. EDUCATIONAL AND PUBLISHING ACTIVITY OF KHERASKOV LITERARY CIRCLE
This article examines one of the pages of the history of Russian Freemasonry as a philosophical and ideological trend within the circles of reflective minds of the Russian society and its influence on the literary process...
THE PLACE OF CARNIVAL IN THE CONTEXT OF MIKHAIL BAKHTIN’S PHILOSOPHY
The role that Mikhail Bakhtin’s book on Rabelais, and the carnival theme more generally, plays in Bakhtin’s philosophy is a perennial concern in Bakhtin studies. Indeed, how would one reconcile such ideas as the carniva...
REPRESENTATION OF THE PAST AS THE MAJOR FACTOR OF SELF-IDENTITY IN POST-SOVIET LITERATURE
The essay examines the problem of identity in its implicit relation to the memory of the past on the material of post-Soviet literature. The question of identity or “how to think identity” is and has always been releva...
FICTIONAL TIME AND SPACE IN THE PROSE OF SMALL ETHNIC GROUPS OF THE NORTH
The essay bears on Mikhail Bakhtin’s idea of chronotope as “the gate” to “the sphere of meanings.” Without this methodological tool, it would be difficult to understand a national literature that is archetypal at its c...
SHADOW OF IMANA: TRAVELS IN THE HEART OF RWANDA BY VÉRONIQUE TADJO AS THE FIRST TRAVELOGUE IN THE FRANCOPHONE AFRICAN LITERATURES
This essay focuses on the genre of travelogue that was new to the African Francophone literatures. The analysis of the novel In the Shadow of Imana: Travels in the Heart of Rwanda (2000) by the Ivorian writer Véronique...