ОБРАЗИ-СИМВОЛИ В ДАВНЬОУКРАЇНСЬКІЙ МІФОЛОГІЧНІЙ ТА ХРИСТИЯНСЬКІЙ ТРАДИЦІЇ: АКСІОЛОГІЧНИЙ АСПЕКТ
Journal Title: Гуманітарний часопис - Year 2016, Vol 1, Issue 4
Abstract
Koberska Tatiana IMAGES-SYMBOLS OF ANCIENT UKRAINIAN MYTHOLOGICAL AND CHRISTIAN TRADITION: AXIOLOGICAL ASPECT The article reports that the symbolism permeates the spirituality of Ukrainian people from mythological era through Christianity to the present times at all levels - from the most sophisticated theological exegetics to everyday perception of the world and modern creation of literature. The aim of the article is to identify on the basis of axiological and functional approaches semiotic domains and associative and imaginative arrays that make it possible to determine the peculiarities of functioning the archetypal images-symbols of "water", "light", "fire" in ethno-cultural and religious context, which are an expansive component of imaginative space of ancient Ukrainian mythological and Christian tradition. This approach makes it possible to compare the features of the national perception of environment with regard to the universal line of mythological consciousness development that is always relevant and productive. Based on a combination of various semiotic creations it was found that universal images-symbols take on distinct ethno-national flavor, artistic and imaginative originality and own axiological and ceremonial and functional filling, combining elements of universalism and deep traditionalism. Explication of wide range of semantic domains of selected universals makes it possible to trace the stratifications in figurative semantics that during the modifications are interpreted in similar ideological and semantic aspects. Dynamics of semantic, axiological and functional fullness of "primordial images" showed that the myth and symbol are universal and cultural codes, in which anthropological cultural and ethno-national indicators remain the same during the modifications of historical and cultural semantics. Sustainability of symbolic forms leaves wide verges for multidimensional historical creations of sense through allusions of which actually actualization of myth occurs. It was investigated that nature of images-symbols is double, penetrating the thickness of cultures, it is implemented in its invariant nature and at the same time actively correlates with the cultural context, transforms under its influence and transforms it itself.
Authors and Affiliations
Тетяна Коберська
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