PERFORMING STYLE I.YA. PADEREVSKY AND POLISH PIANIST IN THE CONTEXT OF THE WORLD CHOPINIANA
Journal Title: Збірник наукових праць «Педагогічні науки» - Year 2018, Vol 84, Issue 2
Abstract
The article describes the modern approaches to the research of the problem of Chopin works, enjoying a well-deserved popularity in a professional environment. It is noted that, in realizing the achievements of the great masters of the past, the works of F. Chopin occupy one of the first places among contemporaries, precisely because it is noted that contemporary pianists have the opportunity to solve the most important stylistic problems. It is proved that the appeal to the art contributes the overcoming of the stereotypes of modern performer Chopiniana and the further stylistic renewal. It has been proved that intonational expressiveness in Polish pianists occurs quite often and becomes an essential part of the performing style, this manner of intonation is organically embodied in execution. To achieve the purpose of the publication of this article, the most important features of the Polish performer Chopiniana were formulated based on the analysis of sound recordings. The genesis of pianism and Paderevsky’s pedagogical system were studied. The phenomenon of Paderevsky’s tempo rubato in his Chopin recordings, as well as in his own piano works, and the influence of Polish pianists in the formation of culture are determined. The article noted that even the time when records of Paderevsky will enjoy a well-deserved popularity in a professional environment is still ahead. Contemplating the achievements of the great masters of the past, among which the interpretations of Paderevsky’s work of Chopin occupy one of the first places, modern pianists will be able to solve the most important stylistic problems. The appeal to the art of Paderevsky contributes the overcoming of the stereotypes of modern performer Chopiniana and its further stylistic renewal.
Authors and Affiliations
Л. М. Троць, Л. І. Фурсік
Keywords
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