PROBLEMS OF RETHINKING OF SAKRED TRADITIONS IN UKRAINIAN ART
Journal Title: Актуальні питання гуманітарних наук: Міжвузівський збірник наукових праць молодих вчених Дрогобицького державного педагогічного університету - Year 2018, Vol 22, Issue 2
Abstract
In modern socio-cultural space the concept of “spiritual music” has a much broader meaning than a century ago. For today it seems quite typical, that relief manifestations in Ukrainian spiritual and musical creativity have as specific canonical, paralitruginis, and secular genres. Therefore, the purpose of the article is to reveal specific habitude of the perception of the spiritual works of Ukrainian composers in the scared space. In the article it is described the diversity of genre and theme spectrum of modern Ukrainian sacral works where the use of the newest stylistics is the means of spiritual idea revelation. The influence of non-liturgical art, in particular, para- lignment and apocryphal epic, is manifested in fairly free use of the subject. It is discovered a steady tendency to the synthesis of the author’s style and the style of national thinking which on the higher level is agreed with the parameters of God serving tradition. The processes of genre-making and genre of deform- ing character are today much intensive, actively influencing at specific semantic and compositional principles. It is noted, that typical is the process of more and more active using by composers of the means, belonging to the sphere of modern art. However, the most important thing is how accurately the composer can catch the emotional tune and sense of sacral content of this or that prayer, as well as convey this content in his work in a way not to break the introvert nature of national prayer singing. The rethinking of cultural principles on the basis of national traditions and, at the same time the same national tradi- tion on the verge of XX and XXI centuries is conceived as sacred. In respect that, it can be argued that the coexistence of the god-service-canonical and ethnocultural in modern music, in particular, Ukrainian, doesn’t appear to be so problematic. Instead, essential value has the author’s factor – a indi- vidual composer’s “ego” acquires acorrective meaning in the concrete realization of the cult or more broadly – spiritual tradition.
Authors and Affiliations
Yaroslava BARDASHEVSKA
Keywords
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