Przyczynek do badań nad kolekcją malarstwa Radziwiłłów z Nieborowa
Journal Title: Quart. Kwartalnik Instytutu Historii Sztuki Uniwersytetu Wrocławskiego - Year 2018, Vol 50, Issue 4
Abstract
KONRAD NIEMIRA (École normale supérieure, Paris / University of Warsaw) / A contribution to the research on the painting collection of the Radziwill family of Nieborow The collection of paintings created by Michal Hieronim Radziwill (1744–1831) and his wife Helena Przeździecka (1753–1821) was once considered one of the best in Poland. Unfortunately, due to the dispersion of its significant part in the years 1865–1875, the content of the collection is known only fragmentarily. The ambition of the article is to present a few hypotheses concerning the fate of the works both before they were included into the Radziwill collection and after its dispersion. The first part focuses on the figure of Princess Helena and her interest in painting. The second concerns the purchases made by Michal Hieronim Radziwill in 1788 and in the post-revolutionary period, as well as, in a broader context, the Radziwill’s interest in the Parisian art market. The article also tries to identify a few paintings from the Nieborow collection, which are currently stored in foreign museums (e.g. paintings by Nicolas Lancret and Paulus Potter).
Authors and Affiliations
Konrad Niemira
Keywords
Related Articles
- EP ID EP538990
- DOI -
- Views 31
- Downloads 0
Stacja benzynowa jako miejsce antropologiczne
ANNA CWYNAR (University of Wroclaw) Gas station as an anthropological place The point of departure for the article is Marc Augé’s classification of service stations as typical examples of “non-places” – undifferentiate...
Photographic portraits of artists and culturally-(not)present Michel Sima
AGNIESZKA CHWIALKOWSKA (The John Paul II Catholic University of Lublin) Photographic portraits of artists and culturally-(not)present Michel Sima This article is dedicated to the photographic activity of a forgotten art...
Prywatne jako polityczne. Projekt Dziewczyństwa i COVEN Berlin jako konstrukcja politycznej podmiotowości w polu sztuki
Private as political. Dziewczynstwo and COVEN Berlin projects as a construction of political subjectivity in the field of art Two artistic collectives took part in the „Bedtime” exhibition, which was presented on 7 IX –...
Akcesja Polski do Unii Europejskiej w przedstawieniach narodowego dyskursu
Poland’s accession to the European Union in the images of national discourse In the history of Poland, since the end of the 18th century, a number of milestone events can be pointed out, including accession of Poland t...
Symbolika i geologia. Przyczynek do badań nad motywem ziemi w twórczości Ferdynanda Ruszczyca
MICHAŁ HAAKE (Adam Mickiewicz University, Poznan) / Symbolism and geology. On the motif of earth in Ferdynand Ruszczyc’s creativity The text is an attempt at a new recognition of the semantics of Ferdynand Ruszczyc’s pa...