Responding to Modern Sensibilities: Emma and Edvard Entangled
Journal Title: Text Matters. A Journal of Literature, Theory and Culture - Year 2017, Vol 7, Issue 7
Abstract
This article is an edited version of the response paper offered at the conclusion of the symposium, Modern Sensibilities. It ties together themes from the symposium papers, as well as ideas prompted by Mieke Bal’s exhibition, Emma & Edvard: Love in the Time of Loneliness, and her accompanying book, Emma and Edvard Looking Sideways: Loneliness and the Cinematic. It focuses on the anachronistic entanglements among Flaubert’s “Emma,” Munch’s motifs, Mieke Bal and Michelle Williams Gamaker’s Madame B, the Munch Museum’s architecture and exhibition scenography, and the exhibition viewer.
Authors and Affiliations
Patricia G. Berman
The Paramount Role of Translation in Modern Opera Productions
Opera is undoubtedly a particularly high and traditional genre of art, but recently there have been numerous attempts at breaking this stereotype and presenting opera in a contemporary light. The most popular way of achi...
Mimesis in Crisis: Narration and Diegesis in Contemporary Anglophone Theatre and Drama
The main objective of my article is to investigate the ways in which contemporary Anglophone drama and theatre actively employ diegetic and narrative forms, setting them in conflict with the mimetic action. The mode of t...
The Conflicting Traditions of Portraying the Jewish People in the Chester Mystery Cycle
The article seeks to analyze the portrayal of the Jews in two plays from the Chester mystery cycle: “Trial and Flagellation” and “The Passion.” The analysis acknowledges that the cycle is a mixture of, and a dialogue bet...
Masculinities, History and Cultural Space: Queer Emancipative Thought in Jamie O’Neill’s At Swim, Two Boys
At Swim, Two Boys, a 2001 novel by Jamie O’Neill, tells a story of gay teen romance in the wake of the Easter Rising. This paper considers the ways in which the characters engage in patterns of masculine behaviour in a c...
The Whittrick Play of No Nothing: Alan Spence, Edwin Morgan, and Indra’s Net
The article will attempt a reading of Alan Spence’s play No Nothing (2015). Special attention will be given to the issue of literal and metaphorical space(s), a peculiar, liminal setting of the play, and the ways it dete...