Shakespeare and Skepticism. Stanley Cavell’s Interpretation of Skepticism in Othello
Journal Title: Zagadnienia Rodzajów Literackich - Year 2018, Vol 61, Issue 1
Abstract
In the present article I attempt to provide an account of the skeptic-narcissist paradox, which Stanley Cavell finds in Shakespeare’s Othello. On one hand, Othello is a “perfect soul”, on the other, he is condemned to the existence of the Other (Desdemona), in whose gaze the skeptic-narcissist could recognize himself. In this paradoxical sense — from Othello’s own perspective — Desdemona threatens his narcissistic integrity, being to him so essential. This is exactly what is involved in the self-contradictory logic of Othello’s skeptical attitude, resulting in consequence in the final tragedy.
Authors and Affiliations
Michał Filipiak
Lustra i echa. Filmowe adaptacje dzieł Shakespeare’a, red. Olga Katafiasz, Państwowa Wyższa Szkoła Teatralna im. Ludwika Solskiego w Krakowie, Kraków 2017, ss. 434
-
Awangardowe wyzwania teorii feministycznych
The article discusses the question of political implications of French feminist theories, also known as feminist avant-garde. Referring to the strategic re-reading of the concept French Feminism by Christine Delphy, it i...
Eliksiry nauki. Spojrzenia wierszem i prozą
-
Męstwo Brunona Jasieńskiego. Polityka płciowa w ZSRR a proza socrealistyczna /Bruno Jasieński’s Bravery. Gender Equality in the USSR and Socialist Realism in Prose
This article is devoted to the strategies of creations of masculinity used in the novel Bravery (pol. Męstwo) written by Bruno Jasieński. The article analyzes the ways in which patriarchate is presented in post-revolutio...
„Lustro zwielokrotnione” grupy Dąb i Trzcina, czyli ilustracja dynamiczna jako sposób na adaptację literatury Jana Potockiego. Raport z projektu
-